From 1ae92712f84acb0fd192786632e323522f93f7d1 Mon Sep 17 00:00:00 2001 From: Steve Krulewitz Date: Tue, 9 Mar 2021 21:43:56 -0800 Subject: [PATCH] capo III is the best --- songs/Depeche Mode/Policy of Truth Body.tex | 77 ++++++++++++++++++ .../Depeche Mode/Policy of Truth Capo III.tex | 8 ++ songs/Depeche Mode/Policy of Truth.tex | 79 +------------------ songs/Smashing Pumpkins/Mayonaise Body.tex | 62 +++++++++++++++ .../Smashing Pumpkins/Mayonaise Capo III.tex | 8 ++ songs/Smashing Pumpkins/Mayonaise.tex | 65 +-------------- songs/Stereolab/French Disko Body.tex | 48 +++++++++++ songs/Stereolab/French Disko Capo III.tex | 9 +++ songs/Stereolab/French Disko.tex | 51 +----------- 9 files changed, 218 insertions(+), 189 deletions(-) create mode 100644 songs/Depeche Mode/Policy of Truth Body.tex create mode 100644 songs/Depeche Mode/Policy of Truth Capo III.tex create mode 100644 songs/Smashing Pumpkins/Mayonaise Body.tex create mode 100644 songs/Smashing Pumpkins/Mayonaise Capo III.tex create mode 100644 songs/Stereolab/French Disko Body.tex create mode 100644 songs/Stereolab/French Disko Capo III.tex diff --git a/songs/Depeche Mode/Policy of Truth Body.tex b/songs/Depeche Mode/Policy of Truth Body.tex new file mode 100644 index 0000000..b22c9c9 --- /dev/null +++ b/songs/Depeche Mode/Policy of Truth Body.tex @@ -0,0 +1,77 @@ +\begin{intro} +\begin{tabular}[t]{@{}lll} +|_{Cm} & |_{Fm/G#} - _{Cm} & | 8x \\ +\end{tabular} +\end{intro} + +\begin{verse} +\begin{tabbing} +^{Cm} You had something to hi^{Fm/G#}de ^{-} ^{Cm} \= +Should have ^{Cm}hidden it, shouldn’t you^{Fm/G#} ^{-} ^{Cm} \\ +^{Cm}Now you’re not satisfied ^{Fm/G#} ^{-} ^{Cm} \> +With ^{Cm}what you’re being put through^{Fm/G#} ^{-} ^{Cm} \\ +^{G#}It’s just time to ^{G#}pay the price \> +For ^{Fm}not listening ^{Fm}to advice \\ +And de^{A#}ciding in your y^{G7}outh + \>On the poli^{Cm}cy of truth ^{Fm/G#} ^{-} ^{Cm} \\ +\end{tabbing} +\end{verse} + +\begin{interlude} +\begin{tabular}[t]{@{}lll} +|_{Cm} & |_{Fm/G#} - _{Cm} & | 3x \\ +\end{tabular} +\end{interlude} + +\begin{verse} +\begin{tabbing} +Things could ^{Cm}be so different now^{Fm/G#} ^{-} ^{Cm} \= +It used to ^{Cm}be so civilized ^{Fm/G#} ^{-} ^{Cm} \\ +^{Cm}You will always wonder how ^{Fm/G#} ^{-} ^{Cm} \> +It could have ^{Cm}been if you’d only lied^{Fm/G#} ^{-} ^{Cm} \\ +^{G#}It’s too late to ^{G#}change events \> +It’s ^{Fm}time to face the ^{Fm}consequence \\ +For de^{A#}livering the pr^{G7}oof \> +In the poli^{Cm}cy of truth ^{Fm/G#} ^{-} ^{Cm} \hspace{20pt} ^{Cm} ^{Fm/G#} ^{-} ^{Cm} \\ +\end{tabbing} +\end{verse} + +\begin{chorus} +^{D#}Never again is ^{Fm}what you swore the ^{Cm}time bef^{Cm}ore ^{-} ^{Cm7} ^{-} ^{Cm} \\ +^{D#}Never again is ^{Fm}what you swore the ^{Cm}time bef^{Cm}ore ^{-} ^{Cm7} ^{-} ^{Cm} \\ +\end{chorus} + +\begin{interlude} +\begin{tabular}[t]{@{}lll} +|_{Cm} & | _{Cm} _{-} _{Cm7} _{-} _{Cm} & | 2x \\ +\end{tabular} +\\ +\\ +_{Cm} \instruction{Drone on this _{Cm} with flangy synth sounds until vocals resume} +\end{interlude} + +\begin{verse} +\begin{tabbing} +Now you’re ^{Cm}standing there tongue tied ^{Cm} \= +You’d better ^{Cm}learn your lesson well ^{Cm} \\ +^{Cm}Hide what you have to hide ^{Cm} \> +And ^{Cm}tell what you have to tell ^{Cm} \\ +You’ll ^{G#}see your problems ^{G#}multiplied \> +If ^{Fm}you continual^{Fm}ly decide \\ +To f^{A#}aithfully pur^{G7}sue \> +The poli^{Cm}cy of truth ^{Fm/G#} ^{-} ^{Cm} \\ +\end{tabbing} +\end{verse} + +\begin{chorus} +\instruction{Repeat Chorus} +\end{chorus} + +\begin{outro} +\begin{tabular}[t]{@{}lll} +|_{Cm} & |_{Fm/G#} - _{Cm} & | 8x \\ +\end{tabular} + +^{Cm}Never a^{D#}gain is ^{Fm/G#}what you ^{Cm}swore the ^{Cm}time before ^{D#} ^{Fm/G#} ^{Cm} \instruction{Repeat and fade} + +\end{outro} diff --git a/songs/Depeche Mode/Policy of Truth Capo III.tex b/songs/Depeche Mode/Policy of Truth Capo III.tex new file mode 100644 index 0000000..0d7d530 --- /dev/null +++ b/songs/Depeche Mode/Policy of Truth Capo III.tex @@ -0,0 +1,8 @@ +\documentclass{skrul-leadsheet} +\begin{document} +\begin{song}[transpose-capo=true]{title={Policy of Truth}, band={Depeche Mode}, year={1990}, key={Cm}, capo={3}} + +\input{"Policy of Truth Body.tex"} + +\end{song} +\end{document} \ No newline at end of file diff --git a/songs/Depeche Mode/Policy of Truth.tex b/songs/Depeche Mode/Policy of Truth.tex index ace0a5a..0d7d530 100644 --- a/songs/Depeche Mode/Policy of Truth.tex +++ b/songs/Depeche Mode/Policy of Truth.tex @@ -1,83 +1,8 @@ \documentclass{skrul-leadsheet} \begin{document} -\begin{song}[transpose-capo=true]{title={Policy of Truth}, band={Depeche Mode}, year={}, key={Cm}, capo={3}} +\begin{song}[transpose-capo=true]{title={Policy of Truth}, band={Depeche Mode}, year={1990}, key={Cm}, capo={3}} -\begin{intro} -\begin{tabular}[t]{@{}lll} -|_{Cm} & |_{Fm/G#} - _{Cm} & | 8x \\ -\end{tabular} -\end{intro} - -\begin{verse} -\begin{tabbing} -^{Cm} You had something to hi^{Fm/G#}de ^{-} ^{Cm} \= -Should have ^{Cm}hidden it, shouldn’t you^{Fm/G#} ^{-} ^{Cm} \\ -^{Cm}Now you’re not satisfied ^{Fm/G#} ^{-} ^{Cm} \> -With ^{Cm}what you’re being put through^{Fm/G#} ^{-} ^{Cm} \\ -^{G#}It’s just time to ^{G#}pay the price \> -For ^{Fm}not listening ^{Fm}to advice \\ -And de^{A#}ciding in your y^{G7}outh - \>On the poli^{Cm}cy of truth ^{Fm/G#} ^{-} ^{Cm} \\ -\end{tabbing} -\end{verse} +\input{"Policy of Truth Body.tex"} -\begin{interlude} -\begin{tabular}[t]{@{}lll} -|_{Cm} & |_{Fm/G#} - _{Cm} & | 3x \\ -\end{tabular} -\end{interlude} - -\begin{verse} -\begin{tabbing} -Things could ^{Cm}be so different now^{Fm/G#} ^{-} ^{Cm} \= -It used to ^{Cm}be so civilized ^{Fm/G#} ^{-} ^{Cm} \\ -^{Cm}You will always wonder how ^{Fm/G#} ^{-} ^{Cm} \> -It could have ^{Cm}been if you’d only lied^{Fm/G#} ^{-} ^{Cm} \\ -^{G#}It’s too late to ^{G#}change events \> -It’s ^{Fm}time to face the ^{Fm}consequence \\ -For de^{A#}livering the pr^{G7}oof \> -In the poli^{Cm}cy of truth ^{Fm/G#} ^{-} ^{Cm} \hspace{20pt} ^{Cm} ^{Fm/G#} ^{-} ^{Cm} \\ -\end{tabbing} -\end{verse} - -\begin{chorus} -^{D#}Never again is ^{Fm}what you swore the ^{Cm}time bef^{Cm}ore ^{-} ^{Cm7} ^{-} ^{Cm} \\ -^{D#}Never again is ^{Fm}what you swore the ^{Cm}time bef^{Cm}ore ^{-} ^{Cm7} ^{-} ^{Cm} \\ -\end{chorus} - -\begin{interlude} -\begin{tabular}[t]{@{}lll} -|_{Cm} & | _{Cm} _{-} _{Cm7} _{-} _{Cm} & | 2x \\ -\end{tabular} -\\ -\\ -_{Cm} \instruction{Drone on this _{Cm} with flangy synth sounds until vocals resume} -\end{interlude} - -\begin{verse} -\begin{tabbing} -Now you’re ^{Cm}standing there tongue tied ^{Cm} \= -You’d better ^{Cm}learn your lesson well ^{Cm} \\ -^{Cm}Hide what you have to hide ^{Cm} \> -And ^{Cm}tell what you have to tell ^{Cm} \\ -You’ll ^{G#}see your problems ^{G#}multiplied \> -If ^{Fm}you continual^{Fm}ly decide \\ -To f^{A#}aithfully pur^{G7}sue \> -The poli^{Cm}cy of truth ^{Fm/G#} ^{-} ^{Cm} \\ -\end{tabbing} -\end{verse} - -\begin{chorus} -\instruction{Repeat Chorus} -\end{chorus} - -\begin{outro} -\begin{tabular}[t]{@{}lll} -|_{Cm} & |_{Fm/G#} - _{Cm} & | 8x \\ -\end{tabular} - -^{Cm}Never a^{D#}gain is ^{Fm/G#}what you ^{Cm}swore the ^{Cm}time before ^{D#} ^{Fm/G#} ^{Cm} \instruction{Repeat and fade} - -\end{outro} \end{song} \end{document} \ No newline at end of file diff --git a/songs/Smashing Pumpkins/Mayonaise Body.tex b/songs/Smashing Pumpkins/Mayonaise Body.tex new file mode 100644 index 0000000..d3f0451 --- /dev/null +++ b/songs/Smashing Pumpkins/Mayonaise Body.tex @@ -0,0 +1,62 @@ +\begin{intro} +\begin{tabular}[t]{@{}lllll} +|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \\ +|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \\ +|_{Csus2} & |_{D#maj7} & |_{Csus2} & |_{D#maj7} & | \\ +|_{A#sus2} & |_{Gm9} & |_{D#maj7/A#} & |_{D#maj7/A#} & | \\ +\end{tabular} +\\ +\instruction{Add distortion!} +\\ +\begin{tabular}[t]{@{}lllll} +|_{A#sus2} & |_{Gm9} & |_{D#maj7/A#} & |_{D#maj7/A#} & | 2x \\ +\end{tabular} +\end{intro} + +\begin{verse} +^{A#sus2}Fool enough to almost be it, ^{Gm9} cool enough to not quite see it, ^{D#maj7/A#} doomed ^{D#maj7/A#} \\ +^{A#sus2}Pick your pocket full of sorrow, ^{Gm9} run away with me tomorrow, ^{D#maj7/A#} June ^{D#maj7/A#} \\ +\\ +We ^{Csus2}try to ^{.G#}ease the ^{.D#maj7/A#}pain \\ +Someh^{Csus2}ow we ^{.G#}feel the ^{.D#maj7/A#}same, well \\ +^{Fsus2} No one ^{D#maj7/A#}knows \\ +^{Fsus2} Where our secrets ^{G#}go +\end{verse} + +\begin{verse} +^{A#sus2}Send a heart to all my dearest, ^{Gm9} when your life is so, so dreary, ^{D#maj7/A#} dream ^{D#maj7/A#} \\ +I'm ^{A#sus2}rumored to the straight and narrow, ^{Gm9} while the harlots of my perils, ^{D#maj7/A#} scream ^{D#maj7/A#} \\ +\\ +And ^{A#sus2}I... \hspace{20pt} ^{Gm9}fail... \hspace{20pt} But when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\ +^{A#sus2}Try to under^{Gm9}stand... \hspace{20pt} That when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\ +\end{verse} + +\begin{solo} +\begin{tabular}[t]{@{}lllll} +|_{D#maj7/A#} & |_{A#sus2} & |_{D#maj7/A#} & |_{A#sus2} & | \\ +|_{C7sus4} & |_{D#add9} & | _{G#} - _{Gm} & | _{Fsus2} & | +\end{tabular} +\end{solo} + +\begin{verse} +^{A#sus2}Mother weep the years I'm missing, ^{Gm9} all our time can't be given, ^{D#maj7/A#} back ^{D#maj7/A#} \\ +^{A#sus2}Shut my mouth and strike the demons, ^{Gm9} cursed you and your reasons \\ +^{D#maj7/A#} Out of hand and out of season, ^{D#maj7/A#}out of love and out of feeling \\ + +^{A#sus2}So... \hspace{20pt} ^{Gm9}Bad... \hspace{20pt}But when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\ +^{A#sus2}Words defy the ^{Gm9}plan... \hspace{20pt} But when I ^{D#maj7/A#}can, I ^{G#}will \\ +\end{verse} + +\begin{outro} +^{A#sus2}Fool enough to almost be it, and ^{Gm9}cool enough to not quite see it \\ +^{D#maj7/A#}Dull enough to always feel this, ^{D#maj7/A#}always old, I'll always feel this \\ +^{A#sus2}No more promise, no more sorrow, ^{Gm9} no longer will I follow \\ +^{D#maj7/A#}Can anybody hear me, ^{D#maj7/A#}I just want to \\ +^{A#sus2}Be... \hspace{20pt} ^{Gm9}Me... \hspace{20pt} But when I ^{D#maj7/A#}can, I ^{G#}will \\ +^{A#sus2}Try to understa^{Gm9}nd... \hspace{20pt} That when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\ + +\begin{tabular}[t]{@{}lllll} +|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \\ +|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \instructioin{Fade away...} \\ +\end{tabular} +\end{outro} diff --git a/songs/Smashing Pumpkins/Mayonaise Capo III.tex b/songs/Smashing Pumpkins/Mayonaise Capo III.tex new file mode 100644 index 0000000..c0d5d36 --- /dev/null +++ b/songs/Smashing Pumpkins/Mayonaise Capo III.tex @@ -0,0 +1,8 @@ +\documentclass{skrul-leadsheet} +\begin{document} +\begin{song}[transpose-capo=true]{title={Mayonaise}, band={The Smashing Pumpkins}, year={1993}, key={Bb}, capo={3}} + +\input{"Mayonaise Body.tex"} + +\end{song} +\end{document} diff --git a/songs/Smashing Pumpkins/Mayonaise.tex b/songs/Smashing Pumpkins/Mayonaise.tex index 4ff5c8d..56f7168 100644 --- a/songs/Smashing Pumpkins/Mayonaise.tex +++ b/songs/Smashing Pumpkins/Mayonaise.tex @@ -1,69 +1,8 @@ \documentclass{skrul-leadsheet} \begin{document} -\begin{song}[transpose-capo=true]{title={Mayonaise}, band={The Smashing Pumpkins}, year={1993}, key={Bb}, capo={3}} -\begin{intro} -\begin{tabular}[t]{@{}lllll} -|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \\ -|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \\ -|_{Csus2} & |_{D#maj7} & |_{Csus2} & |_{D#maj7} & | \\ -|_{A#sus2} & |_{Gm9} & |_{D#maj7/A#} & |_{D#maj7/A#} & | \\ -\end{tabular} -\\ -\instruction{Add distortion!} -\\ -\begin{tabular}[t]{@{}lllll} -|_{A#sus2} & |_{Gm9} & |_{D#maj7/A#} & |_{D#maj7/A#} & | 2x \\ -\end{tabular} -\end{intro} - -\begin{verse} -^{A#sus2}Fool enough to almost be it, ^{Gm9} cool enough to not quite see it, ^{D#maj7/A#} doomed ^{D#maj7/A#} \\ -^{A#sus2}Pick your pocket full of sorrow, ^{Gm9} run away with me tomorrow, ^{D#maj7/A#} June ^{D#maj7/A#} \\ -\\ -We ^{Csus2}try to ^{.G#}ease the ^{.D#maj7/A#}pain \\ -Someh^{Csus2}ow we ^{.G#}feel the ^{.D#maj7/A#}same, well \\ -^{Fsus2} No one ^{D#maj7/A#}knows \\ -^{Fsus2} Where our secrets ^{G#}go -\end{verse} - -\begin{verse} -^{A#sus2}Send a heart to all my dearest, ^{Gm9} when your life is so, so dreary, ^{D#maj7/A#} dream ^{D#maj7/A#} \\ -I'm ^{A#sus2}rumored to the straight and narrow, ^{Gm9} while the harlots of my perils, ^{D#maj7/A#} scream ^{D#maj7/A#} \\ -\\ -And ^{A#sus2}I... \hspace{20pt} ^{Gm9}fail... \hspace{20pt} But when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\ -^{A#sus2}Try to under^{Gm9}stand... \hspace{20pt} That when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\ -\end{verse} - -\begin{solo} -\begin{tabular}[t]{@{}lllll} -|_{D#maj7/A#} & |_{A#sus2} & |_{D#maj7/A#} & |_{A#sus2} & | \\ -|_{C7sus4} & |_{D#add9} & | _{G#} - _{Gm} & | _{Fsus2} & | -\end{tabular} -\end{solo} - -\begin{verse} -^{A#sus2}Mother weep the years I'm missing, ^{Gm9} all our time can't be given, ^{D#maj7/A#} back ^{D#maj7/A#} \\ -^{A#sus2}Shut my mouth and strike the demons, ^{Gm9} cursed you and your reasons \\ -^{D#maj7/A#} Out of hand and out of season, ^{D#maj7/A#}out of love and out of feeling \\ - -^{A#sus2}So... \hspace{20pt} ^{Gm9}Bad... \hspace{20pt}But when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\ -^{A#sus2}Words defy the ^{Gm9}plan... \hspace{20pt} But when I ^{D#maj7/A#}can, I ^{G#}will \\ -\end{verse} - -\begin{outro} -^{A#sus2}Fool enough to almost be it, and ^{Gm9}cool enough to not quite see it \\ -^{D#maj7/A#}Dull enough to always feel this, ^{D#maj7/A#}always old, I'll always feel this \\ -^{A#sus2}No more promise, no more sorrow, ^{Gm9} no longer will I follow \\ -^{D#maj7/A#}Can anybody hear me, ^{D#maj7/A#}I just want to \\ -^{A#sus2}Be... \hspace{20pt} ^{Gm9}Me... \hspace{20pt} But when I ^{D#maj7/A#}can, I ^{G#}will \\ -^{A#sus2}Try to understa^{Gm9}nd... \hspace{20pt} That when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\ - -\begin{tabular}[t]{@{}lllll} -|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \\ -|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \instructioin{Fade away...} \\ -\end{tabular} -\end{outro} +\begin{song}[transpose-capo=true]{title={Mayonaise}, band={The Smashing Pumpkins}, year={1993}, key={Bb}} +\input{"Mayonaise Body.tex"} \end{song} \end{document} diff --git a/songs/Stereolab/French Disko Body.tex b/songs/Stereolab/French Disko Body.tex new file mode 100644 index 0000000..62e58a0 --- /dev/null +++ b/songs/Stereolab/French Disko Body.tex @@ -0,0 +1,48 @@ +\begin{intro} +\begin{tabular}[t]{@{}lllll} +|_{Cm} & |_{Cm} & |_{Cm} & |_{Cm} & | \\ +\end{tabular} +\end{intro} + +\begin{verse} +^{Cm}Though \pause this world's \pause essen - tially an ^{Bbsus4}ab - surd place \pause to be \pause l - iving in it \\ +^{Ab}Does - n't call for bu - bble withdraw^{Cm}al \\ +I've been ^{Cm}told \pause it's a \pause fact of life \\ +Men have t^{Bbsus4}ooo \pause kill one \pause another \\ +Well I ^{Ab}say \pause there are \pause still things \pause worth fighting ^{Cm}for \\ +^{Dm}La Res^*{-}ista ^{Cm}nce! +\end{verse} + +\begin{verse} +^{Cm}Though \pause this world's \pause essen - tially an ^{Bbsus4}ab - surd place \pause to be \pause l - iving in it \\ +^{Ab}Does - n't call for bu - bble withdraw^{Cm}al \\ + It said ^{Cm}hu - man e - xistence \pause is pointless \\ +As ^{Bbsus4}acts of re - bell - ious soli - ^{Ab}darity can bring \pause sense in this ^{Cm}world \\ +^{Dm}La Res^*{-}ista ^{Cm}nce! \\ +^{Dm}La Res^*{-}ista ^{Cm}nce! \\ +^{Dm} \hspace{15pt} ^{-} \hspace{11pt} ^{Cm} +\end{verse} + +\begin{solo} +\begin{tabular}[t]{@{}lllll} +|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\ +|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\ +|_{Dm} - _{Cm} & |_{Dm} - _{Cm} & | _{Dm} - _{Cm} & | _{Dm} - (_{Cm}) & | \\ +\end{tabular} +\end{solo} + +\begin{verse} +\instruction{Repeat Verse 1} +\end{verse} + +\begin{verse} +\instruction{Repeat Verse 2} +\end{verse} + +\begin{outro} +\begin{tabular}[t]{@{}lllll} +|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\ +|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\ +|_{Dm} - _{Cm} & |_{Dm} - _{Cm} & | _{Dm} - _{Cm} & | \instruction{fade....} & | \\ +\end{tabular} +\end{outro} diff --git a/songs/Stereolab/French Disko Capo III.tex b/songs/Stereolab/French Disko Capo III.tex new file mode 100644 index 0000000..e6c0b58 --- /dev/null +++ b/songs/Stereolab/French Disko Capo III.tex @@ -0,0 +1,9 @@ +\documentclass{skrul-leadsheet} +\begin{document} +\newcommand{\pause}{\space\space\space} +\begin{song}[transpose-capo=true]{title={French Disko}, band={Stereolab}, year={1993}, key={Cm}, capo={3}} + +\input{"French Disko Body.tex"} + +\end{song} +\end{document} \ No newline at end of file diff --git a/songs/Stereolab/French Disko.tex b/songs/Stereolab/French Disko.tex index 055c859..f727525 100644 --- a/songs/Stereolab/French Disko.tex +++ b/songs/Stereolab/French Disko.tex @@ -1,56 +1,9 @@ \documentclass{skrul-leadsheet} \begin{document} \newcommand{\pause}{\space\space\space} -\begin{song}[transpose-capo=true]{title={French Disko}, band={Stereolab}, year={1993}, key={Cm}, capo={3}} +\begin{song}[transpose-capo=true]{title={French Disko}, band={Stereolab}, year={1993}, key={Cm}} -\begin{intro} -\begin{tabular}[t]{@{}lllll} -|_{Cm} & |_{Cm} & |_{Cm} & |_{Cm} & | \\ -\end{tabular} -\end{intro} - -\begin{verse} -^{Cm}Though \pause this world's \pause essen - tially an ^{Bbsus4}ab - surd place \pause to be \pause l - iving in it \\ -^{Ab}Does - n't call for bu - bble withdraw^{Cm}al \\ -I've been ^{Cm}told \pause it's a \pause fact of life \\ -Men have t^{Bbsus4}ooo \pause kill one \pause another \\ -Well I ^{Ab}say \pause there are \pause still things \pause worth fighting ^{Cm}for \\ -^{Dm}La Res^*{-}ista ^{Cm}nce! -\end{verse} - -\begin{verse} -^{Cm}Though \pause this world's \pause essen - tially an ^{Bbsus4}ab - surd place \pause to be \pause l - iving in it \\ -^{Ab}Does - n't call for bu - bble withdraw^{Cm}al \\ - It said ^{Cm}hu - man e - xistence \pause is pointless \\ -As ^{Bbsus4}acts of re - bell - ious soli - ^{Ab}darity can bring \pause sense in this ^{Cm}world \\ -^{Dm}La Res^*{-}ista ^{Cm}nce! \\ -^{Dm}La Res^*{-}ista ^{Cm}nce! \\ -^{Dm} \hspace{15pt} ^{-} \hspace{11pt} ^{Cm} -\end{verse} - -\begin{solo} -\begin{tabular}[t]{@{}lllll} -|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\ -|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\ -|_{Dm} - _{Cm} & |_{Dm} - _{Cm} & | _{Dm} - _{Cm} & | _{Dm} - (_{Cm}) & | \\ -\end{tabular} -\end{solo} - -\begin{verse} -\instruction{Repeat Verse 1} -\end{verse} - -\begin{verse} -\instruction{Repeat Verse 2} -\end{verse} - -\begin{outro} -\begin{tabular}[t]{@{}lllll} -|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\ -|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\ -|_{Dm} - _{Cm} & |_{Dm} - _{Cm} & | _{Dm} - _{Cm} & | \instruction{fade....} & | \\ -\end{tabular} -\end{outro} +\input{"French Disko Body.tex"} \end{song} \end{document} \ No newline at end of file