fixes
This commit is contained in:
parent
b0ca64db46
commit
3471d5bef0
@ -52,5 +52,5 @@ The ^{A#}Cadillac a-sittin' like a ton of lead, a ^{A#}hundred and ten a half a
|
||||
\end{chorus}
|
||||
|
||||
\begin{outro}
|
||||
You done ^{F7}started ba^{-}ck doin' the ^{D#7}things you used to ^{A#}do ^{F7*} ^{A#*}
|
||||
You done ^{F7}started ba^{-}ck doin' the ^{D#7}things you used to ^{A#}do ^{F7*} ^*{A#} ^{*}
|
||||
\end{outro}
|
||||
|
@ -1,20 +1,20 @@
|
||||
\begin{intro}
|
||||
\begin{tabular}[t]{@{}lllll}
|
||||
|_{F} & |_{A#m} & |_{F} & |_{A#m} & | \\
|
||||
|_{F} & |_{Bbm} & |_{F} & |_{Bbm} & | \\
|
||||
\end{tabular}
|
||||
\end{intro}
|
||||
|
||||
\begin{verse}
|
||||
^{A#m} Just a ^{D#}perfect day, ^{G#} drink Sangria ^{C#}in the park \\
|
||||
^{Bbm} Just a ^{D#}perfect day, ^{G#} drink Sangria ^{C#}in the park \\
|
||||
^{F#} And then later, ^{D#m} when it gets dark we go ^{F}home ^{F} \\
|
||||
^{A#m} Just a ^{D#}perfect day, ^{G#} feed animals ^{C#}in the zoo \\
|
||||
^{Bbm} Just a ^{D#}perfect day, ^{G#} feed animals ^{C#}in the zoo \\
|
||||
^{F#} Then later, ^{D#m} a movie, too, and then ^{F}home ^{F}
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
Oh ^{A#}it's such a ^{D#}perfect day \\
|
||||
Oh ^{Bb}it's such a ^{D#}perfect day \\
|
||||
I'm ^{Dm}glad I spent it with ^*{D#}yo ^{-}u ^{D#*} ^{Dm*} ^{Cm*} \\
|
||||
^{A#} Oh such a ^{F}perfect day \\
|
||||
^{Bb} Oh such a ^{F}perfect day \\
|
||||
You just ^{Gm}keep ^{-}me ^{F}hanging ^{D#}on \\
|
||||
You just ^{Gm}keep ^{-}me ^{F}hanging ^{D#}on
|
||||
\end{chorus}
|
||||
@ -24,9 +24,9 @@ _{D#}
|
||||
\end{interlude}
|
||||
|
||||
\begin{verse}
|
||||
^{A#m} Just a ^{D#}perfect day, ^{G#} problems all ^{C#}left alone, \\
|
||||
^{Bbm} Just a ^{D#}perfect day, ^{G#} problems all ^{C#}left alone, \\
|
||||
^{F#} Weekenders ^{D#m}on our own, it's such ^{F}fun. ^{F} \\
|
||||
^{A#m} Just a ^{D#}perfect day, ^{G#} you made me for^{C#}get myself \\
|
||||
^{Bbm} Just a ^{D#}perfect day, ^{G#} you made me for^{C#}get myself \\
|
||||
^{F#} I thought I was ^{D#m}someone else, some^{F}one good ^{F}
|
||||
\end{verse}
|
||||
|
||||
@ -43,14 +43,14 @@ _{D#}
|
||||
\end{solo}
|
||||
|
||||
\begin{outro}
|
||||
^{Dm} ^{-} ^{Dm}You're going to ^{G#}reap just what ^{D#} you^{-} sow ^{D#*} ^{Dm*} ^{Cm*} ^{A#} \\
|
||||
^{Dm} ^{-} ^{Dm}You're going to ^{G#}reap just what ^{D#} you^{-} sow ^{D#*} ^{Dm*} ^{Cm*} ^{A#} \\
|
||||
^{Dm} ^{-} ^{Dm}You're going to ^{G#}reap just what ^{D#} you^{-} sow ^{D#*} ^{Dm*} ^{Cm*} ^{A#} \\
|
||||
^{Dm} ^{-} ^{Dm}You're going to ^{G#}reap just what ^{D#} you^{-} sow ^{D#*} ^{Dm*} ^{Cm*} ^{A#} \\
|
||||
^{Dm} ^{-} ^{Dm}You're going to ^{G#}reap just what ^{D#} you^{-} sow ^{D#*} ^{Dm*} ^{Cm*} ^{Bb} \\
|
||||
^{Dm} ^{-} ^{Dm}You're going to ^{G#}reap just what ^{D#} you^{-} sow ^{D#*} ^{Dm*} ^{Cm*} ^{Bb} \\
|
||||
^{Dm} ^{-} ^{Dm}You're going to ^{G#}reap just what ^{D#} you^{-} sow ^{D#*} ^{Dm*} ^{Cm*} ^{Bb} \\
|
||||
^{Dm} ^{-} ^{Dm}You're going to ^{G#}reap just what ^{D#} you^{-} sow ^{D#*} ^{Dm*} ^{Cm*} ^{Bb} \\
|
||||
|
||||
\begin{tabular}[t]{@{}lllll}
|
||||
|_{Dm} & |_{G#} & |_{D#} - _{D#*} _{Dm*} _{Cm*} & |_{A#} & | \\
|
||||
|_{Dm} & |_{G#} & |_{D#} - _{D#*} _{Dm*} _{Cm*} & |_{A#*} & |
|
||||
|_{Dm} & |_{G#} & |_{D#} - _{D#*} _{Dm*} _{Cm*} & |_{Bb} & | \\
|
||||
|_{Dm} & |_{G#} & |_{D#} - _{D#*} _{Dm*} _{Cm*} & |_{Bb*} & |
|
||||
\end{tabular}
|
||||
|
||||
\end{outro}
|
||||
|
@ -15,7 +15,7 @@
|
||||
|
||||
^{D} The lunatic is in the ^{G7/D}hall, ^{D} the lunatics are in my ^{G7/D}hall \\
|
||||
^{D} The paper holds their folded ^{E/D}faces to the floor \\
|
||||
And ^{A}every ^{-}day the ^{A7}paper boy brings ^*{D}mo ^{-}re ^{Dsus2} ^{D7} ^{-} ^{D9}
|
||||
And ^{A}every ^{-}day the ^{A7}paperboy brings ^*{D}mo ^{-}re ^{Dsus2} ^{D7} ^{-} ^{D9}
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
@ -28,10 +28,10 @@ I'll ^{C}see you on the dark side of the ^*{G}mo ^{-}on ^{Bm7}(Oh ^{Em7}oh ^{-}
|
||||
\begin{verse}
|
||||
^{D} The lunatic is in my ^{G7/D}head, (laughter) ^{D} the lunatic is in my ^{G7/D}head \\
|
||||
^{D} You raise the blade, ^{E/D} you make the change \\
|
||||
^{A}You ^*{-}re-a ^{A7}rrange me 'till I'm ^*{D}san ^{-}e ^{Dsus2} \\
|
||||
^{A}You ^*{-}rea ^{A7}rrange me 'till I'm ^*{D}san ^{-}e ^{Dsus2} \\
|
||||
|
||||
^{D} You lock the door, and ^{E/D}throw away the key \\
|
||||
There's ^*{A}someon ^{-}e in my ^{A7}head but it's not ^*{D}m e^{-} ^{Dsus2} ^{D7} ^{-} ^{D9}
|
||||
And there's ^*{A}someon ^{-}e in my ^{A7}head but it's not ^*{D}m e^{-} ^{Dsus2} ^{D7} ^{-} ^{D9}
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
|
@ -14,7 +14,7 @@
|
||||
|
||||
\begin{verse}
|
||||
\begin{tabbing}
|
||||
\hspace{40pt} I was \= ^{Gm/E}tired of my \= ^{F*}lady, \taga \=
|
||||
\hspace{40pt} I was \= ^{(Gm/E)}tired of my \= ^{F*}lady, \taga \=
|
||||
we'd been to \hspace{5pt} \=^{Dm/G}gether too \= ^{C*}long. \tagb \\
|
||||
Like a worn \> out recor - \> ding, \>
|
||||
of a \> favorite \> song \\
|
||||
@ -27,31 +27,11 @@ there was this \> letter I \> read
|
||||
|
||||
\begin{chorus}
|
||||
\begin{tabbing}
|
||||
1. If you like piña \=^{F*}coladas, \taga \hspace{15pt} \=
|
||||
\hspace{18pt} If you like \= ^{(Gm/E)}piña \hspace{45pt} \=^{F*}coladas, \taga \hspace{15pt} \=
|
||||
and gettin' \=^{Dm/G}caught in the \=^{C*}rain \tagb \\
|
||||
2. Yes, I like piña \> coladas, \> and gettin' \> caught in the \> rain \\
|
||||
3. That I like piña \> coladas, \> and gettin' \> caught in the \> rain
|
||||
\end{tabbing}
|
||||
|
||||
\begin{tabbing}
|
||||
1. If you're \=^{Gm/E}not into \hspace{2pt} \=^{F*}yoga, \hspace{20pt} \taga \=
|
||||
if you \hspace{10pt} \=^{Dm/G}have half a \hspace{12pt} \=^{C*}brain \tagb \\
|
||||
2. I'm not \> much into \> health food, \> I am \> into cham - \> pagne \\
|
||||
3. And the \> feel of the \> ocean, \> and the \> taste of cham - \> pagne
|
||||
\end{tabbing}
|
||||
|
||||
\begin{tabbing}
|
||||
1. If you like \hspace{1pt} \=^{Gm/E}makin' love at \=^{F*}midnight, \hspace{10pt} \taga \=
|
||||
in the \hspace{47pt} \=^{Dm/G}dunes on the \=^{C*}cape \tagb \\
|
||||
2. I've got to \> meet you by to \> morrow noon \> and cut through \> all this red \> tape \\
|
||||
3. If you like \> makin' love at \> midnight, \> in the \> dunes on the \> cape
|
||||
\end{tabbing}
|
||||
|
||||
\begin{tabbing}
|
||||
1. Then I'm the \=^{Gm/E}love that you've \=^{F*}looked for, \taga \=
|
||||
write to \hspace{14pt} \=^{Dm/G}me and es - \=^{C*}cape \tagb \\
|
||||
2. At a \> bar called \> O'Malley's \> where we'll \> plan our es -\> cape \\
|
||||
3. You're the \> lady I've \> looked for, \> come with \> me and es - \> cape
|
||||
If you're \> not into \> yoga, \> if you \> have half a \> brain \\
|
||||
If you like \> makin' love at \> midnight, \> in the \> dunes on the \> cape \\
|
||||
Then I'm the \> love that you've \> looked for, \> write to \> me and es - \> cape
|
||||
\end{tabbing}
|
||||
\end{chorus}
|
||||
|
||||
@ -64,7 +44,7 @@ write to \hspace{14pt} \=^{Dm/G}me and es - \=^{C*}cape \tagb \\
|
||||
|
||||
\begin{verse}
|
||||
\begin{tabbing}
|
||||
\hspace{12pt} I didn't think \=^{Gm/E}about my \hspace{10pt} \=^{F*}lady, \taga \=
|
||||
\hspace{12pt} I didn't think \=^{(Gm/E)}about my \hspace{10pt} \=^{F*}lady, \taga \=
|
||||
I know that \=^{Dm/G}sounds kind of \=^{C*}mean \tagb \\
|
||||
But me and \> my old \> lady, \>
|
||||
had fallen \> into the \> same old dull routine \\
|
||||
@ -76,7 +56,12 @@ I thought it \> wasn't half \> bad
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
\instruction{Chorus 2}
|
||||
\begin{tabbing}
|
||||
\hspace{10pt}Yes, I like \= ^{(Gm/E)}piña \hspace{40pt} \=^{F*}coladas, \taga \= and gettin' \hspace{25pt} \=^{Dm/G}caught in the \=^{C*}rain \tagb \\
|
||||
I'm not \> much into \> health food, \> I am \> into cham - \> pagne \\
|
||||
I've got to \> meet you by to \> morrow noon \> and cut through \> all this red \> tape \\
|
||||
At a \> bar called \> O'Malley's \> where we'll \> plan our es -\> cape \\
|
||||
\end{tabbing}
|
||||
\end{chorus}
|
||||
|
||||
\begin{solo}
|
||||
@ -85,7 +70,7 @@ I thought it \> wasn't half \> bad
|
||||
|
||||
\begin{verse}
|
||||
\begin{tabbing}
|
||||
\hspace{30pt} So I \=^{Gm/E}waited with \hspace{6pt} \=^{F*}high hopes \taga \=
|
||||
\hspace{30pt} So I \=^{(Gm/E)}waited with \hspace{6pt} \=^{F*}high hopes \taga \=
|
||||
and she \hspace{23pt} \=^{Dm/G}walked in the \=^{C*}place \tagb \\
|
||||
I knew her \> smile in an \> instant, \>
|
||||
I knew the \> curve of her \> face \\
|
||||
@ -97,7 +82,12 @@ and I said, \> \> "I never knew"
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
\instruction{Chorus 3}
|
||||
\begin{tabbing}
|
||||
\hspace{10pt}That I like \= ^{(Gm/E)}piña \hspace{40pt} \=^{F*}coladas, \taga \= and gettin' \=^{Dm/G}caught in the \hspace{10pt} \=^{C*}rain \tagb \\
|
||||
And the \> feel of the \> ocean, \> and the \> taste of cham - \> pagne \\
|
||||
If you like \> makin' love at \> midnight, \> in the \> dunes on the \> cape \\
|
||||
You're the \> lady I've \> looked for, \> come with \> me and es - \> cape
|
||||
\end{tabbing}
|
||||
\end{chorus}
|
||||
|
||||
\begin{chorus}
|
||||
@ -115,6 +105,6 @@ and I said, \> \> "I never knew"
|
||||
\end{tabular}
|
||||
\end{outro}
|
||||
|
||||
\instruction{Note: skip the first chord on each verse}
|
||||
\instruction{Note: skip the first chord on each verse and chorus}
|
||||
\end{song}
|
||||
\end{document}
|
Loading…
Reference in New Issue
Block a user