jammed
This commit is contained in:
Steve Krulewitz
parent
16421426f9
commit
7fed3f1c64
@ -23,7 +23,6 @@ function make_pdf {
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pdf_outdir="$SONGS_HOME/build/pdf/${indir#songs/}"
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#aux_outdir="`realpath "aux"`/${indir#songs/}"
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echo $indir
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mkdir -p "$pdf_outdir"
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#mkdir -p "$aux_outdir"
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@ -49,4 +48,4 @@ function make_packet {
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setup_pdflatex
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#make_pdf "$1"
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make_packet "packets/aircoustic202009.tex"
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make_packet "packets/aircoustic202010.tex"
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10
packets/aircoustic202010.tex
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10
packets/aircoustic202010.tex
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\documentclass{article}
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\usepackage{grffile}
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\usepackage{pdfpages}
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\begin{document}
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\includepdf[pages=-]{build/pdf/The Doors/People Are Strange.pdf}
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\includepdf[pages=-]{build/pdf/INXS/Devil Inside.pdf}
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\includepdf[pages=-]{build/pdf/Bruce Springsteen/Nebraska.pdf}
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\includepdf[pages=-]{build/pdf/Duran Duran/Hungry Like the Wolf.pdf}
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\includepdf[pages=-]{build/pdf/The Rocky Horror Picture Show/Time Warp.pdf}
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\end{document}
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56
songs/Bruce Springsteen/Nebraska.tex
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56
songs/Bruce Springsteen/Nebraska.tex
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\documentclass{skrul-leadsheet}
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\begin{document}
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\begin{song}[transpose-capo=true]{title={Nebraska}, band={Bruce Springsteen}, year={1982}, key={A}}
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\begin{intro}
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\instruction{Harmonica} \\
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\begin{tabular}[t]{@{}lllll}
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|_{A} & |_{D} & |_{A} & |_{D} & | \\
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|_{G} & |_{D} & |_{A} & |_{D} & |
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\end{tabular}
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\end{intro}
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\begin{verse}
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I saw her s^{A}tandin' on her front ^{D}lawn just ^{A}twirlin' her ba^{D}ton \\
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Me and ^{G}her went for a ^{D}ride sir and t^{A}en innocent people ^{D}died \\
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From the ^{A}town of Lincoln Neb^{D}raska with a sawed-off .4^{A}10 on my ^{D}lap \\
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Through to the ^{G}badlands of Wy^{D}oming I killed ^{A}everything in my ^{D}path
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\end{verse}
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\begin{interlude}
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\begin{tabular}[t]{@{}lll}
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|_{A} & |_{D} & | \\
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\end{tabular}
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\end{interlude}
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\begin{verse}
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I can't ^{A}say that I'm so^{D}rry for the th^{A}ings that we d^{D}one \\
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At least ^{G}for a little whi^{D}le sir me and ^{A}her we had us some ^{D}fun \\
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Now the ^{A}jury brought in a guilty ^{D}verdict and the ^{A}judge he sentenced me to ^{D}death \\
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Mid^{G}night in a prison ^{D}storeroom, leather ^{A}straps across my ^{D}chest \\
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Sheriff when the ^{A}man pulls that ^{D}switch sir and ^{A}snaps my poor head ^{D}back \\
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You make ^{G}sure my pretty ^{D}baby is sittin' ^{A}right there on my ^{D}lap
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\end{verse}
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\begin{interlude}
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\instruction{Harmonica} \\
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\begin{tabular}[t]{@{}lllll}
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|_{A} & |_{D} & |_{A} & |_{D} & | \\
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\end{tabular}
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\end{interlude}
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\begin{verse}
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They de^{A}clared me unfit t^{D}o live said into that ^{A}great void my soul be hur^{D}led \\
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They wanted to ^{G}know why I did what I ^{D}did, well sir I guess there's just a ^{A}meanness in this ^{D}world
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\end{verse}
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\begin{outro}
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\instruction{Harmonica} \\
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\begin{tabular}[t]{@{}lllll}
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|_{A} & |_{D} & |_{A} & |_{D} & | \\
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|_{G} & |_{D} & |_{A} & |_{D} & |
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\end{tabular}
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\end{outro}
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\end{song}
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\end{document}
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62
songs/Duran Duran/Hungry Like the Wolf.tex
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62
songs/Duran Duran/Hungry Like the Wolf.tex
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\documentclass{skrul-leadsheet}
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\begin{document}
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\begin{song}[transpose-capo=true]{title={Hungry Like the Wolf}, band={Duran Duran}, year={1982}, key={E}}
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\begin{intro}
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\instruction{Riff 2x over _{E}}
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\end{intro}
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\begin{verse}
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^{E}Dark in the city, night is a wire, ^{E} steam in the subway, the earth is afire \\
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Do do ^{D}doo do - do doo do - do doo do - do doo do - ^{E}do do \\
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^{E} Woman you want me, give me a sign, ^{E} and catch my breathing even closer behind \\
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Do do ^{D}doo do - do doo do - do doo do - do doo do - ^{E}do do
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\end{verse}
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\begin{chorus}
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^{C} In touch ^{-}with the ^{G}ground, I'm on the ^{F}hunt I'm after you \\
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I smell like I ^{C}sound, I'm ^{-}lost in a ^{G}crowd, and I'm ^{F}hungry ^{-}like the ^{D}wolf \\
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Straddle the ^{C}line, in di^{-}scord and ^{G}rhyme, I'm on the ^{F}hunt I'm after you \\
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Mouth is a^{C}live, with ^{-}juices like ^{G}wine, and I'm ^{F}hungry ^{-}like the ^{D}wolf
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\end{chorus}
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\begin{interlude}
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_{Em7sus4}
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\end{interlude}
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\begin{verse}
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^{E}Stalked in the forest, too close to hide, ^{E} I'll be upon you by the moonlight side \\
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Do do ^{D}doo do - do doo do - do doo do - do doo do - ^{E}do do \\
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^{E} High blood drumming on your skin it's so tight, ^{E} you feel my heat, I'm just a moment behind \\
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Do do ^{D}doo do - do doo do - do doo do - do doo do - ^{E}do do
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\end{verse}
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\begin{chorus}
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^{C} In touch ^{-}with the ^{G}ground, I'm on the ^{F}hunt I'm after you \\
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Scent and a ^{C}sound, I'm ^{-}lost and I'm ^{G}found, and I'm ^{F}hungry ^{-}like the ^{D}wolf \\
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Strut on a ^{C}line, it's di^{-}scord and ^{G}rhyme, I howl and I ^{F}whine I'm after you \\
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Mouth is a^{C}live, all run^{-}ning in^{G}side, and I'm ^{F}hungry ^{-}like the ^{D}wolf
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\end{chorus}
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\begin{interlude}
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\begin{tabular}[t]{@{}lllll}
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|_{Em7sus4} & |_{Em7sus4} & |_{Em7sus4} & |_{Em7sus4} & | \\
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\end{tabular}
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\\
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^{Em7sus4}Hungry like the wolf, Hungry like the wolf, ^{Em7sus4}Hungry like the wolf \hspace{20pt} ^{Em7sus4} \hspace{20pt} ^{Em7sus4}
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\end{interlude}
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\begin{chorus}
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Burning the _{C} ground, I break from the _{G} crowd, I'm on the _{F} hunt I'm after you \\
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I smell like I _{C} sound, I'm lost and I'm _{G} found, and I'm _{F} hungry like the _{D} wolf \\
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Strut on a _{C} line, it's discord and _{G} rhyme, I'm on the _{F} hunt I'm after you \\
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Mouth is _{C} alive, with juices like _{G} wine, and I'm _{F} hungry like the _{D} wolf \\
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\instruction{Start to fade...} \\
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Burning the _{C} ground, I break from the _{G} crowd, I'm on the _{F} hunt I'm after you \\
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Scent and a _{C} sound, I'm lost and I'm _{G} found, and I'm _{F} hungry like the _{D} wolf \\
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Strut on a _{C} line, it's discord and _{G} rhyme, I howl and I _{F} whine I'm after you \\
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Mouth is _{C} alive, all running _{G} inside, and I'm _{F} hungry like the _{D} wolf
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\end{chorus}
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\end{song}
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\end{document}
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76
songs/INXS/Devil Inside.tex
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76
songs/INXS/Devil Inside.tex
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\documentclass{skrul-leadsheet}
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\begin{document}
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\begin{song}[transpose-capo=true]{title={Devil Inside}, band={INXS}, year={1988}, key={C}}
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\begin{intro}
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\instruction{Riff 2x over _{C}}
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\end{intro}
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\begin{verse}
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^{C}Here comes the woman, with the look in her ^{Am}eye \hspace{20pt} ^{C}Raised on leather, with flesh on her ^{Am}mind \\
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^{C}Words as weapons sharper than knives, ^{F}makes you wonder how the other half die \hspace{20pt}^{C} Other half ^{F}die \\
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\end{verse}
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\begin{interlude}
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^{G} Makes you ^{Em}wonder wonder, wonder ^{G} \\
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\end{interlude}
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\begin{verse}
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But ^{C}here come the man, with the look in his ^{Am}eye \hspace{20pt} ^{C}Fed on nothing, but full of ^{Am}pride \\
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^{C}Look at them go, look at them kick, ^{F}makes you wonder how the other half live \hspace{20pt} ^{C} \hspace{20pt} ^{F}
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\end{verse}
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\begin{chorus}
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\begin{tabbing}
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The ^{C}devil inside, the devil inside \hspace{20pt} \=
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^{F/C}Every single one of us the devil inside \\
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The ^{C}devil inside, the devil inside \>
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^{F/C}Every single one of us the devil inside
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\end{tabbing}
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\end{chorus}
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\begin{intro}
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\instruction{Riff 2x _{C}}
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\end{intro}
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\begin{verse}
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^{C}Here come the world, with the look in its ^{Am}eye \hspace{20pt} ^{C}Future uncertain but certainly ^{Am}slight \\
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^{C}Look at the faces, listen to the bells, it's ^{F}hard to believe we need a place called hell \hspace{20pt}
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^{C} Place called ^{F}hell
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\end{verse}
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\begin{chorus}
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\instruction{Repeat Chorus}
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\end{chorus}
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\begin{solo}
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\begin{tabular}[t]{@{}lllllll}
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|_{C} - _{F/C} & |_{C} - _{F/C} & |_{C} - _{F/C} & |_{F} - _{Bb/F} & |_{F} - _{Bb/F} & |_{F} - _{Bb/F} & | \\
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|_{C} - _{F/C} & |_{C} - _{F/C} & |_{C} - _{F/C} & |_{F} - _{Bb/F} & |_{F} - _{Bb/F} & |_{F} - _{Bb/F} & |
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\end{tabular}
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\instruction{Hold four beats}
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\begin{tabular}[t]{@{}lllll}
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|_{G} & |_{Em} & |_{G} & | _{C} & | \\
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|_{G} & |_{Em} & |_{G} & |& \\
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\end{tabular}
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\end{solo}
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\begin{verse}
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^{C}Here comes the woman, with the look in her ^{Am}eye \hspace{20pt} ^{C}Raised on leather, with flesh on her ^{Am}mind \\
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^{C}Words as weapons sharper than knives, ^{F}makes you wonder how the other half die \\
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\end{verse}
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\begin{chorus}
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\instruction{Repeat Chorus 2x}
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\end{chorus}
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\begin{outro}
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\begin{tabular}[t]{@{}lllllll}
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|_{C} - _{F/C} & |_{C} - _{F/C} & |_{C} - _{F/C} & |_{F} - _{Bb/F} & |_{F} - _{Bb/F} & |_{F} - _{Bb/F} & | \instruction{Repeat, extended jam and fade}
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\end{tabular}
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\end{outro}
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\end{song}
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\end{document}
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63
songs/The Doors/People Are Strange.tex
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63
songs/The Doors/People Are Strange.tex
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\documentclass{skrul-leadsheet}
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\begin{document}
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\begin{song}[transpose-capo=true]{title={People Are Strange}, band={The Doors}, year={1967}, key={Em}}
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\begin{intro}
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\instruction{Walk down _{B} to _{E}}
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\end{intro}
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\begin{verse}
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\begin{tabbing}
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^{Em}People are strange ^{Am}when yo^{-}u're a ^{Em}stranger \hspace{20pt} \=
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^{Am}Faces l^{-}ook ^{Em}ugly ^{B7}when y^{-}ou're a^{Em}lone \\
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^{Em}Women seem wicked ^{Am}when you^{-}'re un^{Em}wanted \>
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^{Am}Streets ^{-}are ^{Em}uneven ^{B7} when ^{-}you're ^{Em}down
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\end{tabbing}
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\end{verse}
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\begin{chorus}
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When you're ^{B7}strange, \\
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^{G}Faces come out of the ^{B7}rain, when you're ^{B7}strange \\
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^{G}No one remembers your ^{B7}name, when you're ^{B7}strange \\
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When you're ^{B7}strange, when you're ^{B7}strange \instruction{Walk down _{B} to _{E}}
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\end{chorus}
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\begin{verse}
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\begin{tabbing}
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^{Em}People are strange ^{Am}when yo^{-}u're a ^{Em}stranger \hspace{20pt} \=
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^{Am}Faces l^{-}ook ^{Em}ugly ^{B7}when y^{-}ou're a^{Em}lone \\
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^{Em}Women seem wicked ^{Am}when you^{-}'re un^{Em}wanted \>
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^{Am}Streets ^{-}are ^{Em}uneven ^{B7} when ^{-}you're ^{Em}down
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\end{tabbing}
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\end{verse}
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\begin{solo}
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\begin{tabular}[t]{@{}lllll}
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|_{B7} & |_{B7} & |_{Em} & |_{Em} & | \\
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|_{B7} & |_{B7} & |_{Em} & |_{Em*} & | \\
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\end{tabular}
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\end{solo}
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\begin{chorus}
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When you're ^{B7}strange, \\
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^{G}Faces come out of the ^{B7}rain, when you're ^{B7}strange \\
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^{G}No one remembers your ^{B7}name, when you're ^{B7}strange \\
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When you're ^{B7}strange, when you're ^{B7}strange, alright yea \instruction{Walk down _{B} to _{E}}
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\end{chorus}
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\begin{solo}
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\begin{tabular}[t]{@{}lllll}
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|_{Em} & |_{Am} _{-} _{Em} & |_{Am} _{-} _{Em} & |_{B7} _{-} _{Em} & | \\
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|_{Em} & |_{Am} _{-} _{Em} & |_{Am} _{-} _{Em} & |_{B7} _{-} _{Em} & | \\
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\end{tabular}
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\end{solo}
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\begin{chorus}
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When you're ^{B7}strange, \\
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^{G}Faces come out of the ^{B7}rain, when you're ^{B7}strange \\
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^{G}No one remembers your ^{B7}name, when you're ^{B7}strange \\
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When you're ^{B7}strange, when you're \instruction{pause} str^{B7*}ange
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\end{chorus}
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\end{song}
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\end{document}
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51
songs/The Rocky Horror Picture Show/Time Warp.tex
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51
songs/The Rocky Horror Picture Show/Time Warp.tex
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\documentclass{skrul-leadsheet}
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\begin{document}
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\begin{song}[transpose-capo=true]{title={Time Warp}, band={The Rocky Horror Picture Show}, year={1975}, key={A}}
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\begin{intro}
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\begin{tabular}[t]{@{}lll}
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|_{A} & |_{A} & | \\
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\end{tabular}
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\end{intro}
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\begin{verse}
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It's as^{A}tounding, time is f^{B}leeting ^*{G}mad ^{-}ness ^{D} takes its ^{A}toll \\
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But listen ^{A}closely, not for very much ^{B}longer ^{G}I've g^{-}ot to ^{D} keep con^{A}trol \\
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I ^{A}remember doing the ^{B}Time Warp, ^{G}drinking ^{D} those moments ^{A}when \\
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The blackness would ^{A}hit me and the void would be ^{B}calling \\
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^{F*}Let's ^{C*}do the ^{G*}Time ^{D*}Warp a^{A}gain! \\
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^{F*}Let's ^{C*}do the ^{G*}Time ^{D*}Warp a^{A}gain!
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\end{verse}
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\begin{chorus}
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^{N.C.}It's just a jump to the left \space\space \quarterrest \space\space ^{E} and then a step to the r^{A}ight \\
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^{N.C.}With your hands on your hips ^{E} you bring your knees in ^{A}tight \\
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But it's the pelvic ^{D}thrust \hspace{10pt} that really drives you in^{A}sane \\
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^{F*}Let's ^{C*}do the ^{G*}Time ^{D*}Warp a^{A}gain! \\
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^{F*}Let's ^{C*}do the ^{G*}Time ^{D*}Warp a^{A}gain!
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\end{chorus}
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\begin{verse}
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It's so ^{A}dreamy - oh fantasy ^{B}free me! So you can't ^{G} see^{-} me ^{D} no, not at ^{A}all \\
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In another ^{A}dimension, with voyeuristic inten^{B}tion, well se^*{G}clud ^{-}ed ^{D} I see ^{A}all \\
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With a bit of a ^{A}mind flip, you're into the ^{B}time slip, and ^*{G} noth^{-}ing ^{D} can ever be the ^{A}same \\
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You're spaced out on ^{A}sensation, like you're under se^{B}dation! \\
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^{F*}Let's ^{C*}do the ^{G*}Time ^{D*}Warp a^{A}gain! \\
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^{F*}Let's ^{C*}do the ^{G*}Time ^{D*}Warp a^{A}gain!
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\end{verse}
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\begin{verse}
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Well I was ^{A}walking down the street just-a having a think,
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when a ^{A}snake of a guy gave me an evil wink \\
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He ^{D}shook-a me up, it took me by surprise, he had a ^{A}pick-up truck and the devil's eyes \\
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He ^{E}stared at ^{-}me and I ^{D}felt a change, ^{A}time meant nothing, never would again \\
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^{F*}Let's ^{C*}do the ^{G*}Time ^{D*}Warp a^{A}gain! \\
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^{F*}Let's ^{C*}do the ^{G*}Time ^{D*}Warp a^{A}gain!
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\end{verse}
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\begin{chorus}
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\instruction{Repeat chorus}
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\end{chorus}
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\end{song}
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\end{document}
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68
songs/The Smiths/Cemetry Gates.tex
Normal file
68
songs/The Smiths/Cemetry Gates.tex
Normal file
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\documentclass{skrul-leadsheet}
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\begin{document}
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\begin{song}[transpose-capo=true]{title={Cemetry Gates}, band={The Smiths}, year={1986}, key={G}}
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[Intro]
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C D
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C D
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C D
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C D G
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\begin{verse}
|
||||
^{G} A dreaded sunny day, so I meet you at the cemetery ^{C}gates \\
|
||||
^{C}Keats ^{-}and ^{D}Yeats are on ^{Em}your s^{-}ide ^{D} ^{/} ^{C} \\
|
||||
^{G} A dreaded sunny day, so I meet you at the cemetery ^{C}gates \\
|
||||
^{C}Keats ^{-}and ^{D}Yeats are on ^{Em}your s^{-}ide ^{D} ^{/} ^{C} \\
|
||||
While ^{C} ^{-} ^{D}Wilde is on ^{G}mine
|
||||
\end{verse}
|
||||
|
||||
\begin{verse}
|
||||
^{G} So we go inside and we gravely read the ^{C}stones \\
|
||||
^{C}All those people all those ^{D}lives, Where are they ^{Em}now? ^{D} ^{/} ^{C} \\
|
||||
With ^{G}loves, with hates, and passions just like ^{C}mine \\
|
||||
They were ^{C}born, and then they ^{D}lived, and then they ^{Em}died ^{D} ^{/} ^{C} \\
|
||||
Which ^{C}seems so unfair ^{D}and I want to ^{G}cry
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
You say: "ere ^{Bm}thrice the sun hath door salutation to the ^{G}dawn" \\
|
||||
And you ^{Bm}claim these words as your ^{G}own \\
|
||||
But ^{C}I'm well read, have ^{D}heard them said \\
|
||||
A hundred ^{Em}times (maybe less, maybe ^{F}more)
|
||||
\end{chorus}
|
||||
|
||||
\begin{verse}
|
||||
If you ^{G}must write prose and poems the words you use should be your ^{C}own \\
|
||||
Don't plagiarize or ^{D}take "on ^{Em}loan" ^{D} ^{/} ^{C} \\
|
||||
There's always ^{G}someone, somewhere, with a big nose, who ^{C}knows \\
|
||||
And who trips you up and ^{D}laughs when you ^{Em}fall ^{D} ^{/} ^{C} \\
|
||||
Who'll ^{C}trip you up and ^{D}laugh when you ^{G}fall
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
You say: "ere ^{Bm}long done do does ^{G}did"
|
||||
^{Bm}Words which could only be your ^{G}own
|
||||
You ^{C}then produce the text
|
||||
From ^{D}whence was ripped
|
||||
(some dizzy ^{Em}whore, ^{F}1804)
|
||||
\end{chorus}
|
||||
|
||||
\begin{verse}
|
||||
A dreaded ^{G}sunny day, so let's go where we're happy, and I meet you at the cemetery ^{C}gates \\
|
||||
^{C}Keats ^{-}and ^{D}Yeats are on ^{Em}your s^{-}ide ^{D} ^{/} ^{C} \\
|
||||
A dreaded ^{G}sunny day, so let's go where we're wanted and I meet you at the cemetery ^{C} gates \\
|
||||
^{C}Keats ^{-}and ^{D}Yeats are on ^{Em}your s^{-}ide ^{D} ^{/} but you lose ^{C} \\
|
||||
While ^{C} ^{-} ^{D}Wilde is on ^{G}mine
|
||||
\end{verse}
|
||||
|
||||
|
||||
[Outro]
|
||||
|
||||
C D
|
||||
C D
|
||||
C D
|
||||
|
||||
|
||||
\end{song}
|
||||
\end{document}
|
||||
Loading…
Reference in New Issue
Block a user