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feb aircoustic

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This commit is contained in:
Steve Krulewitz 2022-02-07 20:46:47 -08:00
parent ac8711049e
commit df9e2c086a
8 changed files with 296 additions and 1 deletions
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2
bin/build.sh
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@ -48,4 +48,4 @@ function make_packet {
setup_pdflatex setup_pdflatex
#make_pdf "$1" #make_pdf "$1"
make_packet "packets/pha202201.tex" make_packet "packets/aircoustic202202.tex"

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packets/aircoustic202202.tex Normal file
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\documentclass{article}
\usepackage{grffile}
\usepackage{pdfpages}
\begin{document}
\includepdf[pages=-]{build/pdf/Madonna/Crazy for You.pdf}
\includepdf[pages=-]{build/pdf/The White Stripes/Fell in Love with a Girl.pdf}
\includepdf[pages=-]{build/pdf/Jack Johnson/Better Together.pdf}
\includepdf[pages=-]{build/pdf/Jack Johnson/Better Together Capo V.pdf}
\includepdf[pages=-]{build/pdf/Joy Division/Love Will Tear Us Apart.pdf}
\includepdf[pages=-]{build/pdf/Air Supply/All Out of Love.pdf}
\end{document}

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songs/Jack Johnson/Better Together Body.tex Normal file
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\begin{intro}
\begin{tabular}[t]{@{}lllllllll}
|_{F} & |_{F/E} & |_{Dm} & |_{Dm/C} & | _{A#} & |_{F/A} & |_{Gm} & |_{C} & | \instruction{Repeat 2x} \\
\end{tabular}
\end{intro}
\begin{verse}
^{F} There's no combi^{F/E}nation of words
I could ^{Dm}put on the back of a ^{Dm/C}postcard \\
^{A#} No song that I^{F/A} could sing,
but ^{Gm}I can try for ^{C}your heart, \\
^{F} Our ^{F/E}dreams, and they are ^{Dm}made out of real ^{Dm/C}things \\
Like a ^{A#}shoe box of p^{F/A}hotographs
with ^{Gm}sepia-toned ^{C}loving \\
^{F} Love is the ^{F/E}answer
at least for ^{Dm}most of the questions in ^{Dm/C}my heart like \\
^{A#} Why are we h^{F/A}ere? And where do we g^{Gm}o?
And how come it's ^{C}so hard? \\
^{F} It's not always ^{F/E}easy and
sometimes ^{Dm}life can be de^{Dm/C}ceiving \\
^{A#} I'll tell you one t^{F/A}hing, it's always b^{Gm}etter when we're tog^{C}ether
\end{verse}
\begin{chorus}
^{A#} \hspace{1em} ^{A#}Mmmm, it's always ^{C}better when we're to^{C}gether \\
^{A#} \hspace{1em} ^{A#}Yeah, we'll look at the s^{C}tars and we're to^{C}gether \\
^{A#} \hspace{1em} ^{A#}Well, it's always ^{C}better when we're to^{C}gether \\
^{A#} \hspace{1em} ^{A#}Yeah, it's always ^{C}better when we're to^{C}gether
\end{chorus}
\begin{interlude}
\begin{tabular}[t]{@{}lllllllll}
|_{F} & |_{F/E} & |_{Dm} & |_{Dm/C} & | _{A#} & |_{F/A} & |_{Gm} & |_{C} & | \\
|_{F} & |_{F/E} & |_{Dm} & |_{Dm/C} & | _{A#} & |_{F/A} & |_{Gm} & |_{C} & | \\
\end{tabular}
\end{interlude}
\begin{verse}
And all of these ^{F}moments
just might ^{F/E}find their way into my ^{Dm}dreams tonight^{Dm/C}, \\
But I ^{A#}know that they’ll be g^{F/A}one
when the ^{Gm}morning light ^{C}sings \\
And brings ^{F}new things ^{F/E}
for to^{Dm}morrow night you ^{Dm/C}see \\
That ^{A#}they’ll be gone t^{F/A}oo,
too many ^{Gm}things I have to ^{C}do \\
But if all of these ^{F}dreams might find ^{F/E}their way
into my ^{Dm}day to day scen^{Dm/C}e \\
I'd be ^{A#}under the impr^{F/A}ession
I was ^{Gm}somewhere in bet^{C}ween \\
With only ^{F}two,
just me and ^{F/E}you,
not so many ^{Dm}things we got to ^{Dm/C}do \\
Or ^{A#}places we got to b^{F/A}e
we'll sit be^{Gm}neath the mango ^{C}tree, now
\end{verse}
\newpage
\begin{chorus}
^{A#} \hspace{1em} ^{A#}Yeah, it's always b^{C}etter when we're to^{C}gether \\
^{A#} \hspace{1em} ^{A#}Mmmm, we're somewhere i^{C}n between to^{C}gether \\
^{A#} \hspace{1em} ^{A#}Well, it's always b^{C}etter when we're to^{C}ether \\
^{A#} \hspace{1em} ^{A#}Yeah, it's always b^{C}etter when we're to^{C}gether
\end{chorus}
\begin{interlude}
^{F} Mmm ^{F/E}mmm mm m^{Dm}m mmm mm m^{Dm/C}m mmm \\
^{A#} Mm mm mm m^{F/A}m mmm mm^{Gm}mm mm^{C} mmm \\
\begin{tabular}[t]{@{}lllllllll}
|_{F} & |_{F/E} & |_{Dm} & |_{Dm/C} & | _{A#} & |_{F/A} & |_{Gm} & |_{C} & | \\
\end{tabular}
\end{interlude}
\begin{bridge}
^{Gm} I believe in memories^{C} they look so \\
^{Gm} So pretty when I sleep^{C} hey now and \\
^{Gm} When I wa^{C}ke up you look so \\
^{Gm}Pretty sleeping next to ^{C}me but there is \\
^{A#} Not enough ^{C}time there is no \\
^{A#} No song I could ^{C}sing and there is no \\
^{A#} Combination of words ^{C}I could say \\
But I will ^{A#}still tell you one thing ^{C*} We're better together
\end{bridge}
\begin{outro}
\begin{tabular}[t]{@{}lllllllll}
|_{F} & |_{F/E} & |_{Dm} & |_{Dm/C} & | _{A#} & |_{F/A} & |_{Gm} & |_{C} & | \\
|_{F} & |_{F/E} & |_{Dm} & |_{Dm/C} & | _{A#} & |_{F/A} & |_{Gm} & |_{C} & | \\
|_{F*} & &&&&&&\\
\end{tabular}
\end{outro}

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songs/Jack Johnson/Better Together Capo V.tex Normal file
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\documentclass{skrul-leadsheet}
\begin{document}
\begin{song}[transpose-capo=true]{title={Better Together}, band={Jack Johnson}, year={2005}, key={F}, capo={5}}
\input{"Better Together Body.tex"}
\end{song}
\end{document}

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songs/Jack Johnson/Better Together.tex Normal file
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\documentclass{skrul-leadsheet}
\begin{document}
\begin{song}[transpose-capo=true]{title={Better Together}, band={Jack Johnson}, year={2005}, key={F}}
\input{"Better Together Body.tex"}
\end{song}
\end{document}

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songs/Joy Division/Love Will Tear Us Apart.tex Normal file
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\documentclass{skrul-leadsheet}
\begin{document}
\begin{song}[transpose-capo=true]{title={Love Will Tear Us Apart}, band={Joy Division}, year={1980}, key={D}}
\begin{intro}
\begin{tabular}[t]{@{}lllll}
|_{A9} & |_{A9} & |_{A9} & |_{A9} & | \instruction{Repeat 2x} \\
\\
|_{A9} & |_{D} & |_{Em7} & |_{Asus2} & | \instruction{Repeat 2x} \\
\end{tabular}
\end{intro}
\begin{verse}
When ^{D}routine bites ^{A}hard, and ^{Em}ambitions are ^{A}low \\
And ^{D}resentment rides ^{A}high, but ^{Em}emotions won't ^{A}grow \\
And we're ^{D}changing our ways, ^{A} taking ^{Em} different ^{A}roads
\end{verse}
\begin{chorus}
Then ^{A9}love, ^{D}love will tear us ^{Em7}apart ^{Asus2}again \\
^{A9}Love, ^{D}love will tear us ^{Em7}apart ^{Asus2}again
\end{chorus}
\begin{interlude}
\begin{tabular}[t]{@{}lllll}
|_{A9} & |_{D} & |_{Em7} & |_{Asus2} & | \\
\end{tabular}
\end{interlude}
\begin{verse}
Why is the ^{D}bedroom so cold? ^{A} You've ^{Em}turned away on your ^{A}side \\
Is my ^{D}timing that flawed? ^{A} Our re^{Em}spect runs so ^{A}dry \\
Yet there's ^{D}still this appeal ^{A} that we've ^{Em}kept through our ^{A}lives
\end{verse}
\begin{chorus}
But ^{A9}love, ^{D}love will tear us ^{Em7}apart ^{Asus2}again \\
^{A9}Love, ^{D}love will tear us ^{Em7}apart ^{Asus2}again
\end{chorus}
\begin{interlude}
\begin{tabular}[t]{@{}lllll}
|_{A9} & |_{A9} & |_{A9} & |_{A9} & | \instruction{Repeat 2x} \\
\\
|_{A9} & |_{D} & |_{Em7} & |_{Asus2} & | \instruction{Repeat 2x} \\
\end{tabular}
\end{interlude}
\begin{verse}
You ^{D}cry out in your sleep, ^{A} all my ^{Em}failings ex^{A}posed \\
And there's ^{D}taste in my mouth, ^{A} as despe^{Em}ration takes ^{A}hold \\
Just that ^{D}something so g^{A}ood, just can't ^{Em}function no ^{A}more
\end{verse}
\begin{outro}
But ^{A9}love, ^{D}love will tear us ^{Em7}apart ^{Asus2}again \\
^{A9}Love, ^{D}love will tear us ^{Em7}apart ^{Asus2}again \\
^{A9}Love, ^{D}love will tear us ^{Em7}apart ^{Asus2}again \\
^{A9}Love, ^{D}love will tear us ^{Em7}apart ^{Asus2}again
\begin{tabular}[t]{@{}lllll}
|_{A9} & |_{A9} & |_{A9} & |_{A9} & | \instruction{Repeat 2x} \\
\\
|_{D} & |_{D} & |_{D} & |_{D} & | \instruction{Repeat 2x} \\
\end{tabular}
\end{outro}
\end{song}
\end{document}

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songs/Madonna/Crazy for You.tex Normal file
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\documentclass{skrul-leadsheet}
\begin{document}
\begin{song}[transpose=-4]{title={Crazy for You}, band={Madonna}, year={1985}, key={C}}
\begin{intro}
\begin{tabular}[t]{@{}lllll}
|_{E} & |_{A} - _{B} & |_{E} & |_{A} - _{B} & | \\
|_{E} & |_{A} - _{B} & |_{E} & |_{A} - _{A/B} & | \\
\end{tabular}
\end{intro}
\begin{verse}
^{E} Swaying room as the ^*{A}mu ^{-}sic ^{B}starts,
^{E} strangers making the ^{A}most o^{-}f the ^{B}dark \\
^{E} Two by two their ^*{A}bod ^{-}ies ^{B}become
^{E}one ^{A} ^{-} ^{A/B} \\
^{E} I see you through the ^*{A}smo ^{-}key ^{B}air,
^{E} can't you feel the ^{A}weight ^{-}of my ^{B}stare \\
^{E} You're so close but ^{A}still ^{-} a ^{G#7}world
aw^{C#m}ay, what I'm ^{A}dying to ^{-} say, is ^{B}that...
\end{verse}
\begin{chorus}
I'm ^{E}crazy for you, ^{G#m} touch me once and you'll ^{C#m7}know it's true \\
^{E} I never wanted any^{Amaj7}one like this, it's ^{G#m}all brand new, you'll ^{F#m7}feel it in my kiss ^{A/B*} \\
I'm crazy for you, ^{E} \hspace{10pt} ^{A} ^{-} ^{B}crazy ^{E}for you ^{A*} ^{A/B*} ^{N.C.}
\end{chorus}
\begin{verse}
^{E} Trying hard to cont^{A}rol ^{-}my ^{B}heart,
^{E} I walk over to ^{A}where ^{-} you ^{B}are \\
^{E} Eye to eye we ^{A}need ^{-} no ^{B}words at all ^{E} ^{A} ^{-} ^{A/B} \\
^{E} Slowly now we ^{A}begin ^{-} to ^{B}move,
^{E} every breath I'm deeper ^*{A}int ^{-}o ^{B}you \\
^{E} Soon we two are ^*{A}stan ^{-}ding ^{G#7}still in ^{C#m}time,
if you ^{A}read my ^{-} mind, ^{B}you'll see
\end{verse}
\begin{outro}
I'm ^{E}crazy for you, ^{G#m} touch me once and you'll ^{C#m7}know it's true \\
^{E} I never wanted any^{Amaj7}one like this, it's ^{G#m}all brand new, you'll ^{F#m7}feel it in my kiss \\
You'll ^{C#m7}feel it in my ^{C6}kiss because \\
I'm ^{E}crazy for you, ^{G#7} touch me once and you'll ^{C#m7}know it's true \\
^{E} I never wanted any^{Amaj7}one like this, it's ^{G#m}all brand new, you'll ^{F#m7}feel it in my kiss ^{A/B*} \\
I'm crazy for you,^{E} ^{A} ^{-} ^{B} \\
Crazy for y^{E}ou ^{A} ^{-} ^{B} \\
Crazy for you ^{E} ^{A} ^{-} ^{B} \\
Crazy for you ^{E} ^{A} ^{-} ^{B} \\
^{E} It's all brand ^{A}new ^{-}I'm ^{B}crazy for you \\
^{E} And you know it's ^{A}true I'm ^{-}crazy ^{B}crazy for you \\
^{E} It's all brand ^{A}new ^{-}I'm ^{B}crazy for you \\
^{E} And you know it's ^{A} true yea^{-}h I'm ^{B}crazy for \\
^{E}You... ^{A} I'^{-}m ^{B}crazy for you \\
^{E}Baby... ^{A} I'^{-}m ^{B}crazy for you \\
\end{outro}
\end{song}
\end{document}

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songs/The White Stripes/Fell in Love with a Girl.tex Normal file
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\documentclass{skrul-leadsheet}
\begin{document}
\begin{song}[transpose-capo=true]{title={Fell in Love with a Girl}, band={The White Stripes}, year={2002}, key={B}}
\begin{intro}
\begin{tabular}[t]{@{}lllll}
|_{B} & |_{A} & |_{D} & |_{E} & | \\
\end{tabular}
\end{intro}
\begin{verse}
^{B} Fell in love with a ^{A}girl,
I ^{D}fell in love once and al^{E}most completely \\
^{B} She's in love with the wor^{A}ld,
but some^{D}times these feelings can be ^{E}so misleading \\
^{F#} She turns and says, "Are ^{A}you alright?" \space\space
I said, "I ^{D}must be fine 'cause my ^{E}heart's still beating" \\
^{F#} "Come and kiss me by the ^{A}riverside, yeah,
^{F#*}Bobby says it's fine he, don't ^{N.C.}consider it cheating, now"
\end{verse}
\begin{verse}
^{B} Red hair with a c^{A}url,
Mello-^{D}Roll for the flavor, and the ^{E}eyes were peeping \\
^{B} Can't keep away from the gi^{A}rl, \space\space
these two ^{D}sides of my brain need to ^{E}have a meeting \\
^{F#} Can't think of any^{A}thing to do, yeah,
my ^{D}left brain knows that all ^{E}love is fleeting \\
^{F#} She's just looking for ^{A}something new, yeah,
I ^{F#*}said it once before, but it ^{N.C.}bears repeating now
\end{verse}
\begin{chorus}
^{B} Ah ahahah ^{A}ah ah, ^{D} ah ahahah ^{E}ah ah, \\
^{B} Ah ahahah ^{A}ah ah, ^{D} ah ahahah ^{E}ah ah, \\
^{F#} Can't think of any^{A}thing to do, yeah,
my ^{D}left brain knows that all ^{E}love is fleeting \\
^{F#} She's just looking for ^{A}something new,
well, I ^{F#*}said it once before, but it ^{N.C}bears repeating now
\end{chorus}
\begin{verse}
\instruction{Repeat Verse 1}
\end{verse}
\begin{chorus}
\instruction{Repeat Chorus then end on _{B*}}
\end{chorus}
\end{song}
\end{document}