jammy
This commit is contained in:
Steve Krulewitz
parent
09322eadac
commit
f6d8951a66
59
songs/Chuck Berry/Maybellene.tex
Normal file
59
songs/Chuck Berry/Maybellene.tex
Normal file
@ -0,0 +1,59 @@
|
||||
\documentclass{skrul-leadsheet}
|
||||
\begin{document}
|
||||
\begin{song}[transpose-capo=true]{title={Maybellene}, band={Chuck Berry}, year={1955}, key={A}}
|
||||
|
||||
\begin{intro}
|
||||
\begin{tabular}[t]{@{}lllll}
|
||||
|_{A} & |_{A} & |_{A} & |_{A} & | \\
|
||||
\end{tabular}
|
||||
\end{intro}
|
||||
|
||||
\begin{chorus}
|
||||
^{A}Maybellene, why can't you be ^{A}true \\
|
||||
Oh, Maybel^{D7}lene, why can't you be ^{A}true \\
|
||||
You've ^{E7}started back doin' the ^{D7}things you used to ^{A}do \\
|
||||
\end{chorus}
|
||||
|
||||
\begin{verse}
|
||||
^{A}As I was motivatin' over the hill, I saw Maybellene in a Coupe de Ville \\
|
||||
^{A}Cadillac rollin' on the open road, nothin' outruns my V-8 Ford \\
|
||||
^{A}Cadillac doin' 'bout 95, bumper-to-bumper, rollin' side by side
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
\instruction{Repeat Chorus}
|
||||
\end{chorus}
|
||||
|
||||
\begin{verse}
|
||||
^{A}Cadillac rolled up ahead of the Ford, the Ford got hot, wouldn't do no more \\
|
||||
^{A}It soon got cloudy and it started to rain, I tooted my horn for the passing lane \\
|
||||
^{A}Rain was pourin' under my hood, I knew that was doin' my motor good
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
\instruction{Repeat Chorus}
|
||||
\end{chorus}
|
||||
|
||||
\begin{solo}
|
||||
\begin{tabular}[t]{@{}lllll}
|
||||
|_{A} & |_{A} & |_{D7} & |_{A} & | \\
|
||||
|_{E7} & |_{D7} & |_{A} & |_{A} & | \\
|
||||
\end{tabular}
|
||||
\end{solo}
|
||||
|
||||
\begin{chorus}
|
||||
\instruction{Repeat Chorus}
|
||||
\end{chorus}
|
||||
|
||||
\begin{verse}
|
||||
^{A}Motor cooled down, the heat went down, that's when I heard that highway sound \\
|
||||
^{A}The Cadillac sittin' like a ton of lead, 110 half a mile ahead \\
|
||||
^{A}The Cadillac looked like it was sittin' still, I caught Maybellene at the top of the hill
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
\instruction{Repeat Chorus}
|
||||
\end{chorus}
|
||||
|
||||
\end{song}
|
||||
\end{document}
|
||||
55
songs/Lou Reed/Perfect Day.tex
Normal file
55
songs/Lou Reed/Perfect Day.tex
Normal file
@ -0,0 +1,55 @@
|
||||
\documentclass{skrul-leadsheet}
|
||||
\begin{document}
|
||||
\begin{song}[transpose-capo=true]{title={Perfect Day}, band={Lou Reed}, year={1972}, key={}, capo={1}}
|
||||
|
||||
\begin{intro}
|
||||
\begin{tabular}[t]{@{}lllll}
|
||||
|_{F} & |_{A#m} & |_{F} & |_{A#m} & | \\
|
||||
\end{tabular}
|
||||
\end{intro}
|
||||
|
||||
\begin{verse}
|
||||
^{A#m}Just a p^{D#}erfect day, ^{G#}drink Sangria ^{C#}in the park \\
|
||||
^{F#}And then later, w^{D#m}hen it gets dark, We go ^{F}home. \\
|
||||
^{A#m}Just a p^{D#}erfect day, ^{G#}feed animals ^{C#}in the zoo \\
|
||||
^{F#}Then later, ^{D#m}a movie, too, and then ^{F}home.
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
Oh ^{A#}it's such a p^{D#}erfect day, \\
|
||||
I'm ^{Dm}glad I spent it with^{D#} you. ^{D#/D} ^{D#/C} \\
|
||||
^{A#}Oh such a p^{F}erfect day, \\
|
||||
You just ^{Gm}keep me^{F} hanging^{D#} on, \\
|
||||
You just ^{Gm}keep me^{F} hanging^{D#} on.
|
||||
\end{chorus}
|
||||
|
||||
\begin{verse}
|
||||
^{A#m}Just a p^{D#}erfect day, ^{G#}problems all l^{C#}eft alone, \\
|
||||
^{F#}Weekenders ^{D#m}on our own, it's such ^{F}fun. \\
|
||||
^{A#m}Just a p^{D#}erfect day, ^{G#}you made me forg^{C#}et myself. \\
|
||||
^{F#}I thought I was s^{D#m}omeone else, someone ^{F}good.
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
\instruction{Repeat Chorus}
|
||||
\end{chorus}
|
||||
|
||||
\begin{solo}
|
||||
\begin{tabular}[t]{@{}lllll}
|
||||
|_{Gm} & |_{F} & |_{D#} & |_{D#} & | \\
|
||||
\end{tabular}
|
||||
\end{solo}
|
||||
|
||||
\begin{outro}
|
||||
^{Dm} You're going to^{G#} reap just what you ^{D#}sow, ^{D#/D} ^{D#/C} ^{A#} \\
|
||||
^{Dm} You're going to^{G#} reap just what you ^{D#}sow, ^{D#/D} ^{D#/C} ^{A#} \\
|
||||
^{Dm} You're going to^{G#} reap just what you ^{D#}sow, ^{D#/D} ^{D#/C} ^{A#} \\
|
||||
^{Dm} You're going to^{G#} reap just what you ^{D#}sow, ^{D#/D} ^{D#/C} ^{A#} \\
|
||||
Dm G# D# D#/D D#/C A#
|
||||
(rall.)
|
||||
Dm G# D# D#/D D#/C A#
|
||||
|
||||
\end{outro}
|
||||
|
||||
\end{song}
|
||||
\end{document}
|
||||
74
songs/Pink Floyd/Brain Damage Eclipse.tex
Normal file
74
songs/Pink Floyd/Brain Damage Eclipse.tex
Normal file
@ -0,0 +1,74 @@
|
||||
\documentclass{skrul-leadsheet}
|
||||
\begin{document}
|
||||
\begin{song}[transpose-capo=true]{title={Brain Damage / Eclipse}, band={Pink Floyd}, year={1973}, key={}}
|
||||
|
||||
|
||||
\begin{solo}
|
||||
\begin{tabular}[t]{@{}lllll}
|
||||
|_{D} & |_{D} & |_{D} & |_{D} & | \\
|
||||
\end{tabular}
|
||||
\end{solo}
|
||||
|
||||
|
||||
\begin{verse}
|
||||
^{D} The lunatic is on the ^{G7/D}grass. \\
|
||||
^{D} The lunatic is on the ^{G7/D}grass. \\
|
||||
^{D} Remembering games and ^{E/D}daisy chains and laughs. \\
|
||||
^{A7}Got to keep the ^{A7}loonies on the ^{D}path. ^{Dsus2} \\
|
||||
|
||||
^{D} The lunatic is in the hal^{G7/D}l. \\
|
||||
^{D} The lunatics are in my ^{G7/D}hall. \\
|
||||
^{D} The paper holds their folded ^{E/D}faces to the floor \\
|
||||
And ^{A}every day the ^{A7}paper boy brings ^{D}more. ^{Dsus2} ^{D7} ^{D9} \\
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
^{G} And if the dam breaks open ^{A}many years too soon \\
|
||||
And ^{C}if there is no room upon the ^{G}hill \\
|
||||
^{G} And if your head explodes with ^{A7}dark forebodings too \\
|
||||
I'll ^{C}see you on the dark side of the ^{G}moon. ^{Bm7} ^{Em7} ^{A} ^{A7} \\
|
||||
\end{chorus}
|
||||
|
||||
\begin{verse}
|
||||
^{D} The lunatic is in my ^{G7/D}head. (laughter) \\
|
||||
^{D} The lunatic is in my ^{G7/D}head \\
|
||||
^{D} You raise the blade,^{E/D} you make the change \\
|
||||
^{A7} You re-arrange me 'till I'm sane^{D}. ^{Dsus2} \\
|
||||
|
||||
^{D} You lock the door \\
|
||||
And ^{E/D}throw away the key \\
|
||||
There's ^{A7}someone in my head but it's not ^{D}me. ^{Dsus2} ^{D7} ^{D9} \\
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
^{G} And if the cloud bursts, ^{A}thunder in your ear \\
|
||||
^{C} You shout and no one seems to hear^{G}. \\
|
||||
And if the band you're in starts ^{A}playing diff^{A7}erent tune^{A}s \\
|
||||
I'll ^{C}see you on the dark side of the moon^{G}. ^{Bm7} ^{Em} ^{A7} \\
|
||||
\end{chorus}
|
||||
|
||||
|
||||
[Outro]
|
||||
D |G7 |D |G7 |D |E |
|
||||
A A7 |D Dsus2 |D |E |A A7 |D Dsus2 |
|
||||
|
||||
|
||||
[Intro]
|
||||
|D D7 |Bb A A7|
|
||||
|
||||
\begin{outro}
|
||||
^{D}All that you touch, and ^{D7}all that you see, ^{Bb}all that you taste,^{A7} all you feel. \\
|
||||
And ^{D}all that you love, and ^{D7}all that you hate, ^{Bb}all you distrust,^{A7} all you save. \\
|
||||
And ^{D}all that you give, and ^{D7}all that you deal, and ^{Bb}all that you buy, \\
|
||||
beg, ^{A7}borrow or steal. \\
|
||||
And ^{D}all you create, and ^{D7}all you destroy, and ^{Bb}all that you do, \\
|
||||
and ^{A7}all that you say. \\
|
||||
And ^{D}all that you eat, and ^{D7}everyone you meet, and ^{Bb}all that you slight, \\
|
||||
and ^{A7}everyone you fight. \\
|
||||
And ^{D}all that is now, and ^{D7}all that is gone, and ^{Bb}all that's to come, \\
|
||||
and ^{A7}everything under the ^{D}sun is in tune, \\
|
||||
But the ^{D7}sun is eclipsed by the ^{Bb}moo- ^{D}n.
|
||||
\end{outro}
|
||||
|
||||
\end{song}
|
||||
\end{document}
|
||||
75
songs/Rupert Holmes/Escape (The Piña Colada Song).tex
Normal file
75
songs/Rupert Holmes/Escape (The Piña Colada Song).tex
Normal file
@ -0,0 +1,75 @@
|
||||
\documentclass{skrul-leadsheet}
|
||||
\begin{document}
|
||||
\begin{song}[transpose-capo=true]{title={Escape (The Piña Colada Song)}, band={Rupert Holmes}, year={1979}, key={}}
|
||||
|
||||
|
||||
F | Am G F | Dm7 | C | G Dm7 C | Gm7
|
||||
F | Am G F | Dm7 | C | Em F C |
|
||||
|
||||
\begin{verse}
|
||||
I was tired of my ^{F}lady, ^{Am} ^{G} ^{F}
|
||||
we'd been to^{Gm7}gether too l^{C}ong. ^{E} ^{D} ^{C} \\
|
||||
Like a worn ^{Dm7}out recor^{F}ding, ^{Am} ^{G} ^{F}
|
||||
of a ^{Gm7}favorite s^{C}ong. ^{E} ^{D} ^{C} \\
|
||||
|
||||
So while she ^{Dm7}lay there s^{F}leepin', ^{Am} ^{G} ^{F}
|
||||
I read the ^{Gm7}paper in be^{C}d ^{E} ^{D} ^{C} \\
|
||||
And in the ^{Dm7}personal co^{F}lumns, ^{Am} ^{G} ^{F}
|
||||
there was this ^{Gm7}letter I re^{C}ad ^{E} ^{D} ^{C} \\
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
If you like piña ^{F}coladas, ^{Am} ^{G} ^{F}
|
||||
and gettin' caug^{Gm7}ht in the r^{C}ain ^{E} ^{D} ^{C} \\
|
||||
If you're ^{Dm7}not into y^{F}oga , ^{Am} ^{G} ^{F}
|
||||
if you ^{Gm7}have half a b^{C}rain ^{E} ^{D} ^{C} \\
|
||||
|
||||
If you like ^{Dm7}makin' love at m^{F}idnight, ^{Am} ^{G} ^{F}
|
||||
in the ^{Gm7}dunes of a^{C} cape ^{E} ^{D} ^{C} \\
|
||||
Then I'm the ^{Dm7}love that you've l^{F}ooked for, ^{Am} ^{G} ^{F}
|
||||
wri^{Gm7}te to me and e^{C}scape ^{E} ^{F} ^{C} \\
|
||||
\end{chorus}
|
||||
|
||||
F | Am G F | Dm7 | C | G Dm7 C | Gm7
|
||||
F | Am G F | Dm7 | C | Em F C |
|
||||
|
||||
\begin{verse}
|
||||
I didn't think about my^{F} lady,^{Am} ^{G} ^{F}
|
||||
I know that so^{Gm7}unds kind of me^{C}an ^{E} ^{D} ^{C} \\
|
||||
But me and^{Dm7} my old l^{F}ady, ^{Am} ^{G} ^{F}
|
||||
had fallen i^{Gm7}nto the sam^{C}e old dull r^*{E}outi ^{D}ne ^{C} \\
|
||||
So I w^{Dm7}rote to the p^{F}aper, ^{Am} ^{G} ^{F}
|
||||
took out a ^{Gm7}personal a^{C}d ^{E} ^{D} ^{C} \\
|
||||
And though I^{Dm7}'m nobody's p^{F}oet, ^{Am} ^{G} ^{F}
|
||||
I thought it ^{Gm7}wasn't half ^{C}bad. ^{E} ^{D} ^{C} \\
|
||||
|
||||
\end{verse}
|
||||
|
||||
\begin{chorus}
|
||||
Yes, I like piña ^{F}coladas, ^{Am} ^{G} ^{F}
|
||||
and getting ca^{Gm7}ught in the r^{C}ain ^{E} ^{D} ^{C} \\
|
||||
I'm not m^{Dm7}uch into h^{F}ealth food, ^{Am} ^{G} ^{F}
|
||||
I am^{Gm7} into champ^{C}agne ^{E} ^{D} ^{C} \\
|
||||
|
||||
I've got to ^{Dm7}meet you by t^{F}omorrow n^{Am}oon ^{G} ^{F}
|
||||
and cut throug^{Gm7}h all this r^{C}ed tape^{E} ^{D} ^{C} \\
|
||||
At a ^{Dm7}bar called O^{F}'Malley's ^{Am} ^{G} ^{F}
|
||||
where we'll ^{Gm7}plan our e^{C}scape. ^{E} ^{D} ^{C} \\
|
||||
|
||||
\end{chorus}
|
||||
|
||||
F | Am G F | Dm7 | C | G Dm7 C | Gm7
|
||||
F | Am G F | Dm7 | C | Em F C |
|
||||
|
||||
\begin{verse}
|
||||
So I waited with ^{F}high hopes^{Am} ^{G} ^{F}
|
||||
and she wa^{Gm7}lked in the p^{C}lace ^{E} ^{D} ^{C} \\
|
||||
I knew her s^{Dm7}mile in an i^{F}nstant, ^{Am} ^{G} ^{F}
|
||||
I knew the ^{Gm7}curve of her ^{C}face ^{E} ^{D} ^{C} \\
|
||||
|
||||
It was my ^{Dm7}own lovely l^{F}ady ^{Am} ^{G} ^{F}
|
||||
and she s^{Gm7}aid, ^{C} ^{E} ^{D} ^{C} \\
|
||||
\end{verse}
|
||||
|
||||
\end{song}
|
||||
\end{document}
|
||||
@ -61,10 +61,13 @@
|
||||
B#maj7=Cmaj7,
|
||||
B#m6=Cm6,
|
||||
C##=D,
|
||||
C##m=Dm,
|
||||
C##*=D*,
|
||||
C##7=D7,
|
||||
C##7*=D7*,
|
||||
C##/F#=D/F#,
|
||||
C##/C#=D/C#,
|
||||
C##/B=D/B,
|
||||
Db#=D,
|
||||
D##m=Em,
|
||||
D/Gb=D/F#,
|
||||
@ -78,6 +81,7 @@
|
||||
F##/A##*=G/B*,
|
||||
F##/B=G/B,
|
||||
G##=A,
|
||||
G##m=Am,
|
||||
G##maj7=A\textsuperscript{maj7},
|
||||
G##sus4=A\textsuperscript{sus4},
|
||||
G##7=A\textsuperscript{7},
|
||||
|
||||
Loading…
Reference in New Issue
Block a user