diff --git a/packets/aircoustic202105.tex b/packets/aircoustic202105.tex index 83a10d8..f0b2e17 100644 --- a/packets/aircoustic202105.tex +++ b/packets/aircoustic202105.tex @@ -4,6 +4,7 @@ \begin{document} \includepdf[pages=-]{build/pdf/Marvin Gaye/What's Going On.pdf} \includepdf[pages=-]{build/pdf/Commodores/Nightshift.pdf} +\includepdf[pages=-]{build/pdf/Commodores/Nightshift Capo I.pdf} \includepdf[pages=-]{build/pdf/Barrett Strong/Money (That's What I Want).pdf} \includepdf[pages=-]{build/pdf/Smokey Robinson & The Miracles/The Tracks of My Tears.pdf} \includepdf[pages=-]{build/pdf/Smokey Robinson & The Miracles/I Second That Emotion.pdf} diff --git a/songs/Barrett Strong/Money (That's What I Want).tex b/songs/Barrett Strong/Money (That's What I Want).tex index 74987b4..961248a 100644 --- a/songs/Barrett Strong/Money (That's What I Want).tex +++ b/songs/Barrett Strong/Money (That's What I Want).tex @@ -50,9 +50,9 @@ That's what I ^{C}want (that's ^{A#}what I want) \\ \begin{outro} ^*{F}Mo ^{-}ney ^{A#} (that's ^{F}what I ^{-}want) ^{A#} \\ Lots of ^{F}money ^{-}(that's ^{A#} \hspace{20pt} ^{F}what I ^{-}want) ^{A#} \\ -Whole lot of ^{F}money ^{-}(that's ^{A#} \hspace{20pt} ^{F}what I ^{-}want) ^{A#} \\ +Whole lot of ^{A#}money ^{-}(that's ^{D#} \hspace{20pt} ^{A#}what I ^{-}want) ^{D#} \\ Uh ^{F}huh (^{-}that's ^{A#} \hspace{20pt} ^{F}what I ^{-}want) ^{A#} \\ -All I ^{F}want (^{-}that's ^{A#} \hspace{20pt} ^{F}what I ^{-}want) ^{A#} \\ +All I ^{C}want that's \hspace{20pt} ^{Bb}what I want) \\ ^{F}Whoah yea^{-}h (that's ^{A#} \hspace{20pt} ^{F*}what I want) ^{C} \instruction{continue with same chords....} \\ \\ Give me Money (that's what I want) \\ diff --git a/songs/Commodores/Nightshift Body.tex b/songs/Commodores/Nightshift Body.tex new file mode 100644 index 0000000..0a4b00a --- /dev/null +++ b/songs/Commodores/Nightshift Body.tex @@ -0,0 +1,68 @@ +\begin{intro} +\begin{tabular}[t]{@{}lllll} +|_{G#} & |_{Fm7} - _{C#} & |_{D#} & |_{D#} & | \\ +|_{C#} & |_{C#} & |_{G#} & |_{G#} & | \\ +\end{tabular} +\end{intro} + +\begin{verse} +^{G#} Marvin, ^{Fm7} ^{-} ^{C#} he was a ^{D#}friend of mine, +and he could ^{C#}sing a ^{C#add9}song, ^{C#} his heart in ^{D#}every line \\ +^{G#} Marvin, ^{Fm7} ^{-} ^{C#} sang of the ^{D#}joy and pain, +he opened ^{C#}up our ^{C#add9}minds, ^{C#} and I still can ^{D#}hear him say +\end{verse} + +\begin{bridge} +Aww, ^{Fm}talk to me, so ^{A#m7}you can see what's ^*{A#m7/D}going on \\ +^{Fm}Say you will, ^{A#m7}sing your songs, for-^{C#add9}evermore, evermore, evermore +\end{bridge} + +\begin{chorus} +Gonna be some ^{G#}sweet sounds, ^*{Fm}comi ^{-}ng ^{C#}down, on the ^{A#m7/D}nightshift \\ +I bet you're ^{C#}singing proud, oh, I bet you'll ^{G#}pull a crowd \\ +Gonna be a ^{G#}long night; it's gonna be ^*{Fm}all ^*{-}- ^{C#}right, on the ^{A#m7/D}nightshift \\ +Oh, you found a-^{C#}nother home, I know you're ^{D#}not alone on the ^{G#}nightshift. ^{Fm7} \\ +You found a-^{C#}nother home, I know you're ^{D#}not alone on the ^{(G#)}nightshift +\end{chorus} + +\begin{interlude} +\begin{tabular}[t]{@{}lllll} +|_{G#} & |_{Fm7} - _{C#} & |_{D#} & |_{D#} & | \\ +\end{tabular} +\end{interlude} + +\begin{verse} +^{G#} Jackie, ^{Fm7} ^{-} ^{C#} hey, what you ^{D#}doing now? +It seems like ^{C#}yester ^{C#add9}day, +^{C#} When we were ^{D#}working out \\ +^{G#} Jackie, ^{Fm7} ^{-} ^{C#} you set the ^{D#}world on fire. +You came and ^{C#}gifted ^{C#add9}us; +^{C#} Your love it ^{D#}\mbox{lifted us, higher and higher} +\end{verse} + +\begin{bridge} +^{Fm}Keep it up and ^{A#m7}we'll be there, ^{A#m7/D}At your side \\ +Oh, ^{Fm}say you will, ^{A#m7}sing your songs, For-^{C#add9}evermore, evermore, evermore +\end{bridge} + +\begin{chorus} +\instruction{Repeat chorus but end on _{Fm7} to transition to a-capella bit} +\end{chorus} + +\begin{outro} +\instruction{Percussion only} \\ +Gonna be some sweet sounds (sweet sounds), coming down, on the nightshift (whoah on the nightshift) \\ +I bet you're singing proud (oh you're singing proud), I bet you'll pull a crowd (oh yeah) \\ +\instruction{Band returns} \\ +Gonna be a ^{G#}long night; it's gonna be ^{Fm}all ^{-}- ^{C#}right, +on the ^{A#m7/D}nightshift (on the nightshift) \\ +You found a-^{C#}nother home, +I know you're ^{D#}not alone +on the nightshift ^{G#} ^{G#} \\ +\\ +Gonna miss your ^{G#}sweet voice, that ^*{Fm}soulf ^{-}ul ^{C#}noise , on the ^{A#m7/D}nightshift \\ +We all ^{C#}remember you, your songs are ^{G#}coming through \\ +And at the end of a ^{G#}long day, it's gonna be ^*{Fm}oka ^{-}y ^{C#}, on the ^{A#m7/D}nightshift \\ +You found a-^{C#}nother home, I know you're ^{D#}not alone +on the ^{G#}nightshift +\end{outro} diff --git a/songs/Commodores/Nightshift Capo I.tex b/songs/Commodores/Nightshift Capo I.tex new file mode 100644 index 0000000..8bce84a --- /dev/null +++ b/songs/Commodores/Nightshift Capo I.tex @@ -0,0 +1,8 @@ +\documentclass{skrul-leadsheet} +\begin{document} +\begin{song}[transpose-capo=true]{title={Nightshift}, band={Commodores}, year={1985}, key={G#}, capo={1}} + +\input{"Nightshift Body.tex"} + +\end{song} +\end{document} \ No newline at end of file diff --git a/songs/Commodores/Nightshift.tex b/songs/Commodores/Nightshift.tex index a7161f4..03e57e5 100644 --- a/songs/Commodores/Nightshift.tex +++ b/songs/Commodores/Nightshift.tex @@ -1,68 +1,8 @@ \documentclass{skrul-leadsheet} \begin{document} -\begin{song}[transpose-capo=true]{title={Nightshift}, band={Commodores}, year={1985}, key={G}} +\begin{song}[transpose-capo=true]{title={Nightshift}, band={Commodores}, year={1985}, key={G#}} -\begin{intro} -\begin{tabular}[t]{@{}lllll} -|_{G} & |_{Em7} - _{C} & |_{D} & |_{D} & | \\ -|_{C} & |_{C} & |_{G} & |_{G} & | \\ -\end{tabular} -\end{intro} +\input{"Nightshift Body.tex"} -\begin{verse} -^{G} Marvin, ^{Em7} ^{-} ^{C} he was a ^{D}friend of mine, -and he could ^{C}sing a ^{Cadd9}song, ^{C} his heart in ^{D}every line \\ -^{G} Marvin, ^{Em7} ^{-} ^{C} sang of the ^{D}joy and pain, -he opened ^{C}up our ^{Cadd9}minds, ^{C} and I still can ^{D}hear him say -\end{verse} - -\begin{bridge} -Aww, ^{Em}talk to me, so ^{Am7}you can see what's ^*{Am7/D}going on \\ -^{Em}Say you will, ^{Am7}sing your songs, for-^{Cadd9}evermore, evermore, evermore -\end{bridge} - -\begin{chorus} -Gonna be some ^{G}sweet sounds, ^*{Em}comi ^{-}ng ^{C}down, on the ^{Am7/D}nightshift \\ -I bet you're ^{C}singing proud, oh, I bet you'll ^{G}pull a crowd \\ -Gonna be a ^{G}long night; it's gonna be ^*{Em}all ^*{-}- ^{C}right, on the ^{Am7/D}nightshift \\ -Oh, you found a-^{C}nother home, I know you're ^{D}not alone on the ^{G}nightshift. ^{Em7} \\ -You found a-^{C}nother home, I know you're ^{D}not alone on the ^{(G)}nightshift -\end{chorus} - -\begin{interlude} -\begin{tabular}[t]{@{}lllll} -|_{G} & |_{Em7} - _{C} & |_{D} & |_{D} & | \\ -\end{tabular} -\end{interlude} - -\begin{verse} -^{G} Jackie, ^{Em7} ^{-} ^{C} hey, what you ^{D}doing now? -It seems like ^{C}yester ^{Cadd9}day, -^{C} When we were ^{D}working out \\ -^{G} Jackie, ^{Em7} ^{-} ^{C} you set the ^{D}world on fire. -You came and ^{C}gifted ^{Cadd9}us; -^{C} Your love it ^{D}\mbox{lifted us, -higher and higher} - -\end{verse} - -\begin{bridge} -^{Em}Keep it up and ^{Am7}we'll be there, ^{Am7/D}At your side \\ -Oh, ^{Em}say you will, ^{Am7}sing your songs, For-^{Cadd9}evermore, evermore, evermore -\end{bridge} - -\begin{chorus} -Gonna be some ^{G}sweet sounds, ^*{Em}comi ^{-}ng ^{C}down, -on the ^{Am7/D}nightshift \\ -I bet you're ^{C}singing proud, -oh, I bet you'll ^{G}pull a crowd \\ -Gonna be a ^{G}long night; it's gonna be ^{Em}all ^{-}- ^{C}right, -on the ^{Am7/D}nightshift \\ -Oh, you found a-^{C}nother home, -I know you're ^{D}not alone -on the ^{1/ Em7 2/ G}nightshift \\ - -\instruction{Repeat Second Chorus, end on G} -\end{chorus} \end{song} -\end{document} \ No newline at end of file +\end{document} diff --git a/songs/Smokey Robinson & The Miracles/I Second That Emotion.tex b/songs/Smokey Robinson & The Miracles/I Second That Emotion.tex index 2c67c20..42e2740 100644 --- a/songs/Smokey Robinson & The Miracles/I Second That Emotion.tex +++ b/songs/Smokey Robinson & The Miracles/I Second That Emotion.tex @@ -1,6 +1,6 @@ \documentclass{skrul-leadsheet} \begin{document} -\begin{song}[transpose-capo=true]{title={I Second That Emotion}, band={Smokey Robinson \& The Miracles}, year={1967}, key={}} +\begin{song}[transpose-capo=true]{title={I Second That Emotion}, band={Smokey Robinson \& The Miracles}, year={1967}, key={D}} \begin{intro} \begin{tabular}[t]{@{}llll} @@ -21,7 +21,7 @@ I do believe that ^{G}that would only break my ^*{D}hea ^{-}rt, ^{D*}oh \\ ^{D}But if you feel like lovin' me, ^{A}if you've ^{-}got the ^{G}notion \\ ^{G} I second that e^*{D}moti ^{-}on, ^{D*}said \\ ^{D}If you feel like givin' me a ^{A}lifetime ^{-}of de^{G}votion \\ -^{G} I second that e^{D}motion +^{G} I second that e^{D}motion \end{chorus} \begin{interlude} diff --git a/songs/Smokey Robinson & The Miracles/The Tracks of My Tears.tex b/songs/Smokey Robinson & The Miracles/The Tracks of My Tears.tex index 9a3146f..591dc30 100644 --- a/songs/Smokey Robinson & The Miracles/The Tracks of My Tears.tex +++ b/songs/Smokey Robinson & The Miracles/The Tracks of My Tears.tex @@ -43,8 +43,7 @@ because, ^{G} you'r^{-}e the ^{C}permanent one \riff \begin{xbreak} \instruction{Repeat Break} \end{xbreak} - - + \begin{bridge} \instruction{Pause for 4 beats} \\ ^{C} ^{-} ^{G} Hey hey h^{C}ey y^{-}eah ^{G} \\ diff --git a/tex/skrul-leadsheet.cls b/tex/skrul-leadsheet.cls index 243dc76..68e8138 100644 --- a/tex/skrul-leadsheet.cls +++ b/tex/skrul-leadsheet.cls @@ -80,6 +80,7 @@ G##maj7=A\textsuperscript{maj7}, G##sus4=A\textsuperscript{sus4}, G##7=A\textsuperscript{7}, + G##m7/C#=Am\textsuperscript{7}/D, G#b*=G*, G#b=G, G##m7=Am7, @@ -91,6 +92,7 @@ (F##)=(G), Cadd9=C\textsuperscript{add9}, A7=A\textsuperscript{7}, + Am7=Am\textsuperscript{7}, D7=D\textsuperscript{7}, Bm7=Bm\textsuperscript{7}, F##sus2=G\textsuperscript{sus2},