capo III is the best
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Steve Krulewitz
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77
songs/Depeche Mode/Policy of Truth Body.tex
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77
songs/Depeche Mode/Policy of Truth Body.tex
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\begin{intro}
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\begin{tabular}[t]{@{}lll}
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|_{Cm} & |_{Fm/G#} - _{Cm} & | 8x \\
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\end{tabular}
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\end{intro}
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\begin{verse}
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\begin{tabbing}
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^{Cm} You had something to hi^{Fm/G#}de ^{-} ^{Cm} \=
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Should have ^{Cm}hidden it, shouldn’t you^{Fm/G#} ^{-} ^{Cm} \\
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^{Cm}Now you’re not satisfied ^{Fm/G#} ^{-} ^{Cm} \>
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With ^{Cm}what you’re being put through^{Fm/G#} ^{-} ^{Cm} \\
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^{G#}It’s just time to ^{G#}pay the price \>
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For ^{Fm}not listening ^{Fm}to advice \\
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And de^{A#}ciding in your y^{G7}outh
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\>On the poli^{Cm}cy of truth ^{Fm/G#} ^{-} ^{Cm} \\
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\end{tabbing}
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\end{verse}
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\begin{interlude}
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\begin{tabular}[t]{@{}lll}
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|_{Cm} & |_{Fm/G#} - _{Cm} & | 3x \\
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\end{tabular}
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\end{interlude}
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\begin{verse}
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\begin{tabbing}
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Things could ^{Cm}be so different now^{Fm/G#} ^{-} ^{Cm} \=
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It used to ^{Cm}be so civilized ^{Fm/G#} ^{-} ^{Cm} \\
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^{Cm}You will always wonder how ^{Fm/G#} ^{-} ^{Cm} \>
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It could have ^{Cm}been if you’d only lied^{Fm/G#} ^{-} ^{Cm} \\
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^{G#}It’s too late to ^{G#}change events \>
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It’s ^{Fm}time to face the ^{Fm}consequence \\
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For de^{A#}livering the pr^{G7}oof \>
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In the poli^{Cm}cy of truth ^{Fm/G#} ^{-} ^{Cm} \hspace{20pt} ^{Cm} ^{Fm/G#} ^{-} ^{Cm} \\
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\end{tabbing}
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\end{verse}
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\begin{chorus}
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^{D#}Never again is ^{Fm}what you swore the ^{Cm}time bef^{Cm}ore ^{-} ^{Cm7} ^{-} ^{Cm} \\
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^{D#}Never again is ^{Fm}what you swore the ^{Cm}time bef^{Cm}ore ^{-} ^{Cm7} ^{-} ^{Cm} \\
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\end{chorus}
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\begin{interlude}
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\begin{tabular}[t]{@{}lll}
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|_{Cm} & | _{Cm} _{-} _{Cm7} _{-} _{Cm} & | 2x \\
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\end{tabular}
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\\
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\\
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_{Cm} \instruction{Drone on this _{Cm} with flangy synth sounds until vocals resume}
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\end{interlude}
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\begin{verse}
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\begin{tabbing}
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Now you’re ^{Cm}standing there tongue tied ^{Cm} \=
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You’d better ^{Cm}learn your lesson well ^{Cm} \\
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^{Cm}Hide what you have to hide ^{Cm} \>
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And ^{Cm}tell what you have to tell ^{Cm} \\
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You’ll ^{G#}see your problems ^{G#}multiplied \>
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If ^{Fm}you continual^{Fm}ly decide \\
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To f^{A#}aithfully pur^{G7}sue \>
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The poli^{Cm}cy of truth ^{Fm/G#} ^{-} ^{Cm} \\
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\end{tabbing}
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\end{verse}
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\begin{chorus}
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\instruction{Repeat Chorus}
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\end{chorus}
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\begin{outro}
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\begin{tabular}[t]{@{}lll}
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|_{Cm} & |_{Fm/G#} - _{Cm} & | 8x \\
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\end{tabular}
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^{Cm}Never a^{D#}gain is ^{Fm/G#}what you ^{Cm}swore the ^{Cm}time before ^{D#} ^{Fm/G#} ^{Cm} \instruction{Repeat and fade}
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\end{outro}
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8
songs/Depeche Mode/Policy of Truth Capo III.tex
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8
songs/Depeche Mode/Policy of Truth Capo III.tex
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\documentclass{skrul-leadsheet}
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\begin{document}
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\begin{song}[transpose-capo=true]{title={Policy of Truth}, band={Depeche Mode}, year={1990}, key={Cm}, capo={3}}
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\input{"Policy of Truth Body.tex"}
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\end{song}
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\end{document}
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\documentclass{skrul-leadsheet}
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\documentclass{skrul-leadsheet}
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\begin{document}
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\begin{document}
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\begin{song}[transpose-capo=true]{title={Policy of Truth}, band={Depeche Mode}, year={}, key={Cm}, capo={3}}
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\begin{song}[transpose-capo=true]{title={Policy of Truth}, band={Depeche Mode}, year={1990}, key={Cm}, capo={3}}
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\begin{intro}
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\input{"Policy of Truth Body.tex"}
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\begin{tabular}[t]{@{}lll}
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|_{Cm} & |_{Fm/G#} - _{Cm} & | 8x \\
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\end{tabular}
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\end{intro}
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\begin{verse}
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\begin{tabbing}
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^{Cm} You had something to hi^{Fm/G#}de ^{-} ^{Cm} \=
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Should have ^{Cm}hidden it, shouldn’t you^{Fm/G#} ^{-} ^{Cm} \\
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^{Cm}Now you’re not satisfied ^{Fm/G#} ^{-} ^{Cm} \>
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With ^{Cm}what you’re being put through^{Fm/G#} ^{-} ^{Cm} \\
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^{G#}It’s just time to ^{G#}pay the price \>
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For ^{Fm}not listening ^{Fm}to advice \\
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And de^{A#}ciding in your y^{G7}outh
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\>On the poli^{Cm}cy of truth ^{Fm/G#} ^{-} ^{Cm} \\
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\end{tabbing}
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\end{verse}
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\begin{interlude}
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\begin{tabular}[t]{@{}lll}
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|_{Cm} & |_{Fm/G#} - _{Cm} & | 3x \\
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\end{tabular}
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\end{interlude}
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\begin{verse}
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\begin{tabbing}
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Things could ^{Cm}be so different now^{Fm/G#} ^{-} ^{Cm} \=
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It used to ^{Cm}be so civilized ^{Fm/G#} ^{-} ^{Cm} \\
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^{Cm}You will always wonder how ^{Fm/G#} ^{-} ^{Cm} \>
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It could have ^{Cm}been if you’d only lied^{Fm/G#} ^{-} ^{Cm} \\
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^{G#}It’s too late to ^{G#}change events \>
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It’s ^{Fm}time to face the ^{Fm}consequence \\
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For de^{A#}livering the pr^{G7}oof \>
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In the poli^{Cm}cy of truth ^{Fm/G#} ^{-} ^{Cm} \hspace{20pt} ^{Cm} ^{Fm/G#} ^{-} ^{Cm} \\
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\end{tabbing}
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\end{verse}
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\begin{chorus}
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^{D#}Never again is ^{Fm}what you swore the ^{Cm}time bef^{Cm}ore ^{-} ^{Cm7} ^{-} ^{Cm} \\
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^{D#}Never again is ^{Fm}what you swore the ^{Cm}time bef^{Cm}ore ^{-} ^{Cm7} ^{-} ^{Cm} \\
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\end{chorus}
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\begin{interlude}
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\begin{tabular}[t]{@{}lll}
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|_{Cm} & | _{Cm} _{-} _{Cm7} _{-} _{Cm} & | 2x \\
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\end{tabular}
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\\
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\\
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_{Cm} \instruction{Drone on this _{Cm} with flangy synth sounds until vocals resume}
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\end{interlude}
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\begin{verse}
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\begin{tabbing}
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Now you’re ^{Cm}standing there tongue tied ^{Cm} \=
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You’d better ^{Cm}learn your lesson well ^{Cm} \\
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^{Cm}Hide what you have to hide ^{Cm} \>
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And ^{Cm}tell what you have to tell ^{Cm} \\
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You’ll ^{G#}see your problems ^{G#}multiplied \>
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If ^{Fm}you continual^{Fm}ly decide \\
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To f^{A#}aithfully pur^{G7}sue \>
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The poli^{Cm}cy of truth ^{Fm/G#} ^{-} ^{Cm} \\
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\end{tabbing}
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\end{verse}
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\begin{chorus}
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\instruction{Repeat Chorus}
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\end{chorus}
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\begin{outro}
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\begin{tabular}[t]{@{}lll}
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|_{Cm} & |_{Fm/G#} - _{Cm} & | 8x \\
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\end{tabular}
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^{Cm}Never a^{D#}gain is ^{Fm/G#}what you ^{Cm}swore the ^{Cm}time before ^{D#} ^{Fm/G#} ^{Cm} \instruction{Repeat and fade}
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\end{outro}
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\end{song}
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\end{song}
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\end{document}
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\end{document}
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62
songs/Smashing Pumpkins/Mayonaise Body.tex
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62
songs/Smashing Pumpkins/Mayonaise Body.tex
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\begin{intro}
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\begin{tabular}[t]{@{}lllll}
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|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \\
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|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \\
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|_{Csus2} & |_{D#maj7} & |_{Csus2} & |_{D#maj7} & | \\
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|_{A#sus2} & |_{Gm9} & |_{D#maj7/A#} & |_{D#maj7/A#} & | \\
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\end{tabular}
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\\
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\instruction{Add distortion!}
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\\
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\begin{tabular}[t]{@{}lllll}
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|_{A#sus2} & |_{Gm9} & |_{D#maj7/A#} & |_{D#maj7/A#} & | 2x \\
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\end{tabular}
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\end{intro}
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\begin{verse}
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^{A#sus2}Fool enough to almost be it, ^{Gm9} cool enough to not quite see it, ^{D#maj7/A#} doomed ^{D#maj7/A#} \\
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^{A#sus2}Pick your pocket full of sorrow, ^{Gm9} run away with me tomorrow, ^{D#maj7/A#} June ^{D#maj7/A#} \\
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\\
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We ^{Csus2}try to ^{.G#}ease the ^{.D#maj7/A#}pain \\
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Someh^{Csus2}ow we ^{.G#}feel the ^{.D#maj7/A#}same, well \\
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^{Fsus2} No one ^{D#maj7/A#}knows \\
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^{Fsus2} Where our secrets ^{G#}go
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\end{verse}
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\begin{verse}
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^{A#sus2}Send a heart to all my dearest, ^{Gm9} when your life is so, so dreary, ^{D#maj7/A#} dream ^{D#maj7/A#} \\
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I'm ^{A#sus2}rumored to the straight and narrow, ^{Gm9} while the harlots of my perils, ^{D#maj7/A#} scream ^{D#maj7/A#} \\
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\\
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And ^{A#sus2}I... \hspace{20pt} ^{Gm9}fail... \hspace{20pt} But when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\
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^{A#sus2}Try to under^{Gm9}stand... \hspace{20pt} That when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\
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\end{verse}
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\begin{solo}
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\begin{tabular}[t]{@{}lllll}
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|_{D#maj7/A#} & |_{A#sus2} & |_{D#maj7/A#} & |_{A#sus2} & | \\
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|_{C7sus4} & |_{D#add9} & | _{G#} - _{Gm} & | _{Fsus2} & |
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\end{tabular}
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\end{solo}
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\begin{verse}
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^{A#sus2}Mother weep the years I'm missing, ^{Gm9} all our time can't be given, ^{D#maj7/A#} back ^{D#maj7/A#} \\
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^{A#sus2}Shut my mouth and strike the demons, ^{Gm9} cursed you and your reasons \\
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^{D#maj7/A#} Out of hand and out of season, ^{D#maj7/A#}out of love and out of feeling \\
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^{A#sus2}So... \hspace{20pt} ^{Gm9}Bad... \hspace{20pt}But when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\
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^{A#sus2}Words defy the ^{Gm9}plan... \hspace{20pt} But when I ^{D#maj7/A#}can, I ^{G#}will \\
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\end{verse}
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\begin{outro}
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^{A#sus2}Fool enough to almost be it, and ^{Gm9}cool enough to not quite see it \\
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^{D#maj7/A#}Dull enough to always feel this, ^{D#maj7/A#}always old, I'll always feel this \\
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^{A#sus2}No more promise, no more sorrow, ^{Gm9} no longer will I follow \\
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^{D#maj7/A#}Can anybody hear me, ^{D#maj7/A#}I just want to \\
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^{A#sus2}Be... \hspace{20pt} ^{Gm9}Me... \hspace{20pt} But when I ^{D#maj7/A#}can, I ^{G#}will \\
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^{A#sus2}Try to understa^{Gm9}nd... \hspace{20pt} That when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\
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\begin{tabular}[t]{@{}lllll}
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|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \\
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|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \instructioin{Fade away...} \\
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\end{tabular}
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\end{outro}
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8
songs/Smashing Pumpkins/Mayonaise Capo III.tex
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8
songs/Smashing Pumpkins/Mayonaise Capo III.tex
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\documentclass{skrul-leadsheet}
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\begin{document}
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\begin{song}[transpose-capo=true]{title={Mayonaise}, band={The Smashing Pumpkins}, year={1993}, key={Bb}, capo={3}}
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\input{"Mayonaise Body.tex"}
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\end{song}
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\end{document}
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\documentclass{skrul-leadsheet}
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\documentclass{skrul-leadsheet}
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\begin{document}
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\begin{document}
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\begin{song}[transpose-capo=true]{title={Mayonaise}, band={The Smashing Pumpkins}, year={1993}, key={Bb}, capo={3}}
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\begin{song}[transpose-capo=true]{title={Mayonaise}, band={The Smashing Pumpkins}, year={1993}, key={Bb}}
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\begin{intro}
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\begin{tabular}[t]{@{}lllll}
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|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \\
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|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \\
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|_{Csus2} & |_{D#maj7} & |_{Csus2} & |_{D#maj7} & | \\
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|_{A#sus2} & |_{Gm9} & |_{D#maj7/A#} & |_{D#maj7/A#} & | \\
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\end{tabular}
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\\
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\instruction{Add distortion!}
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\\
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\begin{tabular}[t]{@{}lllll}
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|_{A#sus2} & |_{Gm9} & |_{D#maj7/A#} & |_{D#maj7/A#} & | 2x \\
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\end{tabular}
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\end{intro}
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\begin{verse}
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^{A#sus2}Fool enough to almost be it, ^{Gm9} cool enough to not quite see it, ^{D#maj7/A#} doomed ^{D#maj7/A#} \\
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^{A#sus2}Pick your pocket full of sorrow, ^{Gm9} run away with me tomorrow, ^{D#maj7/A#} June ^{D#maj7/A#} \\
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\\
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We ^{Csus2}try to ^{.G#}ease the ^{.D#maj7/A#}pain \\
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Someh^{Csus2}ow we ^{.G#}feel the ^{.D#maj7/A#}same, well \\
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^{Fsus2} No one ^{D#maj7/A#}knows \\
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^{Fsus2} Where our secrets ^{G#}go
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\end{verse}
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\begin{verse}
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^{A#sus2}Send a heart to all my dearest, ^{Gm9} when your life is so, so dreary, ^{D#maj7/A#} dream ^{D#maj7/A#} \\
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I'm ^{A#sus2}rumored to the straight and narrow, ^{Gm9} while the harlots of my perils, ^{D#maj7/A#} scream ^{D#maj7/A#} \\
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\\
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And ^{A#sus2}I... \hspace{20pt} ^{Gm9}fail... \hspace{20pt} But when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\
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^{A#sus2}Try to under^{Gm9}stand... \hspace{20pt} That when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\
|
|
||||||
\end{verse}
|
|
||||||
|
|
||||||
\begin{solo}
|
|
||||||
\begin{tabular}[t]{@{}lllll}
|
|
||||||
|_{D#maj7/A#} & |_{A#sus2} & |_{D#maj7/A#} & |_{A#sus2} & | \\
|
|
||||||
|_{C7sus4} & |_{D#add9} & | _{G#} - _{Gm} & | _{Fsus2} & |
|
|
||||||
\end{tabular}
|
|
||||||
\end{solo}
|
|
||||||
|
|
||||||
\begin{verse}
|
|
||||||
^{A#sus2}Mother weep the years I'm missing, ^{Gm9} all our time can't be given, ^{D#maj7/A#} back ^{D#maj7/A#} \\
|
|
||||||
^{A#sus2}Shut my mouth and strike the demons, ^{Gm9} cursed you and your reasons \\
|
|
||||||
^{D#maj7/A#} Out of hand and out of season, ^{D#maj7/A#}out of love and out of feeling \\
|
|
||||||
|
|
||||||
^{A#sus2}So... \hspace{20pt} ^{Gm9}Bad... \hspace{20pt}But when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\
|
|
||||||
^{A#sus2}Words defy the ^{Gm9}plan... \hspace{20pt} But when I ^{D#maj7/A#}can, I ^{G#}will \\
|
|
||||||
\end{verse}
|
|
||||||
|
|
||||||
\begin{outro}
|
|
||||||
^{A#sus2}Fool enough to almost be it, and ^{Gm9}cool enough to not quite see it \\
|
|
||||||
^{D#maj7/A#}Dull enough to always feel this, ^{D#maj7/A#}always old, I'll always feel this \\
|
|
||||||
^{A#sus2}No more promise, no more sorrow, ^{Gm9} no longer will I follow \\
|
|
||||||
^{D#maj7/A#}Can anybody hear me, ^{D#maj7/A#}I just want to \\
|
|
||||||
^{A#sus2}Be... \hspace{20pt} ^{Gm9}Me... \hspace{20pt} But when I ^{D#maj7/A#}can, I ^{G#}will \\
|
|
||||||
^{A#sus2}Try to understa^{Gm9}nd... \hspace{20pt} That when I ^{D#maj7/A#}can, I ^{D#maj7/A#}will \\
|
|
||||||
|
|
||||||
\begin{tabular}[t]{@{}lllll}
|
|
||||||
|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \\
|
|
||||||
|_{A#sus2} & |_{A#sus2} & |_{C7sus4} & |_{D#add9} & | \instructioin{Fade away...} \\
|
|
||||||
\end{tabular}
|
|
||||||
\end{outro}
|
|
||||||
|
|
||||||
|
\input{"Mayonaise Body.tex"}
|
||||||
|
|
||||||
\end{song}
|
\end{song}
|
||||||
\end{document}
|
\end{document}
|
||||||
|
|||||||
48
songs/Stereolab/French Disko Body.tex
Normal file
48
songs/Stereolab/French Disko Body.tex
Normal file
@ -0,0 +1,48 @@
|
|||||||
|
\begin{intro}
|
||||||
|
\begin{tabular}[t]{@{}lllll}
|
||||||
|
|_{Cm} & |_{Cm} & |_{Cm} & |_{Cm} & | \\
|
||||||
|
\end{tabular}
|
||||||
|
\end{intro}
|
||||||
|
|
||||||
|
\begin{verse}
|
||||||
|
^{Cm}Though \pause this world's \pause essen - tially an ^{Bbsus4}ab - surd place \pause to be \pause l - iving in it \\
|
||||||
|
^{Ab}Does - n't call for bu - bble withdraw^{Cm}al \\
|
||||||
|
I've been ^{Cm}told \pause it's a \pause fact of life \\
|
||||||
|
Men have t^{Bbsus4}ooo \pause kill one \pause another \\
|
||||||
|
Well I ^{Ab}say \pause there are \pause still things \pause worth fighting ^{Cm}for \\
|
||||||
|
^{Dm}La Res^*{-}ista ^{Cm}nce!
|
||||||
|
\end{verse}
|
||||||
|
|
||||||
|
\begin{verse}
|
||||||
|
^{Cm}Though \pause this world's \pause essen - tially an ^{Bbsus4}ab - surd place \pause to be \pause l - iving in it \\
|
||||||
|
^{Ab}Does - n't call for bu - bble withdraw^{Cm}al \\
|
||||||
|
It said ^{Cm}hu - man e - xistence \pause is pointless \\
|
||||||
|
As ^{Bbsus4}acts of re - bell - ious soli - ^{Ab}darity can bring \pause sense in this ^{Cm}world \\
|
||||||
|
^{Dm}La Res^*{-}ista ^{Cm}nce! \\
|
||||||
|
^{Dm}La Res^*{-}ista ^{Cm}nce! \\
|
||||||
|
^{Dm} \hspace{15pt} ^{-} \hspace{11pt} ^{Cm}
|
||||||
|
\end{verse}
|
||||||
|
|
||||||
|
\begin{solo}
|
||||||
|
\begin{tabular}[t]{@{}lllll}
|
||||||
|
|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\
|
||||||
|
|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\
|
||||||
|
|_{Dm} - _{Cm} & |_{Dm} - _{Cm} & | _{Dm} - _{Cm} & | _{Dm} - (_{Cm}) & | \\
|
||||||
|
\end{tabular}
|
||||||
|
\end{solo}
|
||||||
|
|
||||||
|
\begin{verse}
|
||||||
|
\instruction{Repeat Verse 1}
|
||||||
|
\end{verse}
|
||||||
|
|
||||||
|
\begin{verse}
|
||||||
|
\instruction{Repeat Verse 2}
|
||||||
|
\end{verse}
|
||||||
|
|
||||||
|
\begin{outro}
|
||||||
|
\begin{tabular}[t]{@{}lllll}
|
||||||
|
|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\
|
||||||
|
|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\
|
||||||
|
|_{Dm} - _{Cm} & |_{Dm} - _{Cm} & | _{Dm} - _{Cm} & | \instruction{fade....} & | \\
|
||||||
|
\end{tabular}
|
||||||
|
\end{outro}
|
||||||
9
songs/Stereolab/French Disko Capo III.tex
Normal file
9
songs/Stereolab/French Disko Capo III.tex
Normal file
@ -0,0 +1,9 @@
|
|||||||
|
\documentclass{skrul-leadsheet}
|
||||||
|
\begin{document}
|
||||||
|
\newcommand{\pause}{\space\space\space}
|
||||||
|
\begin{song}[transpose-capo=true]{title={French Disko}, band={Stereolab}, year={1993}, key={Cm}, capo={3}}
|
||||||
|
|
||||||
|
\input{"French Disko Body.tex"}
|
||||||
|
|
||||||
|
\end{song}
|
||||||
|
\end{document}
|
||||||
@ -1,56 +1,9 @@
|
|||||||
\documentclass{skrul-leadsheet}
|
\documentclass{skrul-leadsheet}
|
||||||
\begin{document}
|
\begin{document}
|
||||||
\newcommand{\pause}{\space\space\space}
|
\newcommand{\pause}{\space\space\space}
|
||||||
\begin{song}[transpose-capo=true]{title={French Disko}, band={Stereolab}, year={1993}, key={Cm}, capo={3}}
|
\begin{song}[transpose-capo=true]{title={French Disko}, band={Stereolab}, year={1993}, key={Cm}}
|
||||||
|
|
||||||
\begin{intro}
|
\input{"French Disko Body.tex"}
|
||||||
\begin{tabular}[t]{@{}lllll}
|
|
||||||
|_{Cm} & |_{Cm} & |_{Cm} & |_{Cm} & | \\
|
|
||||||
\end{tabular}
|
|
||||||
\end{intro}
|
|
||||||
|
|
||||||
\begin{verse}
|
|
||||||
^{Cm}Though \pause this world's \pause essen - tially an ^{Bbsus4}ab - surd place \pause to be \pause l - iving in it \\
|
|
||||||
^{Ab}Does - n't call for bu - bble withdraw^{Cm}al \\
|
|
||||||
I've been ^{Cm}told \pause it's a \pause fact of life \\
|
|
||||||
Men have t^{Bbsus4}ooo \pause kill one \pause another \\
|
|
||||||
Well I ^{Ab}say \pause there are \pause still things \pause worth fighting ^{Cm}for \\
|
|
||||||
^{Dm}La Res^*{-}ista ^{Cm}nce!
|
|
||||||
\end{verse}
|
|
||||||
|
|
||||||
\begin{verse}
|
|
||||||
^{Cm}Though \pause this world's \pause essen - tially an ^{Bbsus4}ab - surd place \pause to be \pause l - iving in it \\
|
|
||||||
^{Ab}Does - n't call for bu - bble withdraw^{Cm}al \\
|
|
||||||
It said ^{Cm}hu - man e - xistence \pause is pointless \\
|
|
||||||
As ^{Bbsus4}acts of re - bell - ious soli - ^{Ab}darity can bring \pause sense in this ^{Cm}world \\
|
|
||||||
^{Dm}La Res^*{-}ista ^{Cm}nce! \\
|
|
||||||
^{Dm}La Res^*{-}ista ^{Cm}nce! \\
|
|
||||||
^{Dm} \hspace{15pt} ^{-} \hspace{11pt} ^{Cm}
|
|
||||||
\end{verse}
|
|
||||||
|
|
||||||
\begin{solo}
|
|
||||||
\begin{tabular}[t]{@{}lllll}
|
|
||||||
|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\
|
|
||||||
|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\
|
|
||||||
|_{Dm} - _{Cm} & |_{Dm} - _{Cm} & | _{Dm} - _{Cm} & | _{Dm} - (_{Cm}) & | \\
|
|
||||||
\end{tabular}
|
|
||||||
\end{solo}
|
|
||||||
|
|
||||||
\begin{verse}
|
|
||||||
\instruction{Repeat Verse 1}
|
|
||||||
\end{verse}
|
|
||||||
|
|
||||||
\begin{verse}
|
|
||||||
\instruction{Repeat Verse 2}
|
|
||||||
\end{verse}
|
|
||||||
|
|
||||||
\begin{outro}
|
|
||||||
\begin{tabular}[t]{@{}lllll}
|
|
||||||
|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\
|
|
||||||
|_{Cm} & |_{Bbsus4} & |_{Ab} & |_{Cm} & | \\
|
|
||||||
|_{Dm} - _{Cm} & |_{Dm} - _{Cm} & | _{Dm} - _{Cm} & | \instruction{fade....} & | \\
|
|
||||||
\end{tabular}
|
|
||||||
\end{outro}
|
|
||||||
|
|
||||||
\end{song}
|
\end{song}
|
||||||
\end{document}
|
\end{document}
|
||||||
Loading…
Reference in New Issue
Block a user