more
This commit is contained in:
Steve Krulewitz
parent
f6d8951a66
commit
b0ca64db46
@ -48,4 +48,4 @@ function make_packet {
|
|||||||
setup_pdflatex
|
setup_pdflatex
|
||||||
#make_pdf "$1"
|
#make_pdf "$1"
|
||||||
|
|
||||||
make_packet "packets/aircoustic202108.tex"
|
make_packet "packets/pha202108.tex"
|
||||||
|
|||||||
12
packets/pha202108.tex
Normal file
12
packets/pha202108.tex
Normal file
@ -0,0 +1,12 @@
|
|||||||
|
\documentclass{article}
|
||||||
|
\usepackage{grffile}
|
||||||
|
\usepackage{pdfpages}
|
||||||
|
\begin{document}
|
||||||
|
\includepdf[pages=-]{build/pdf/Kenny Loggins/Danny's Song.pdf}
|
||||||
|
\includepdf[pages=-]{build/pdf/Chuck Berry/Maybellene.pdf}
|
||||||
|
\includepdf[pages=-]{build/pdf/Chuck Berry/Maybellene Capo I.pdf}
|
||||||
|
\includepdf[pages=-]{build/pdf/Lou Reed/Perfect Day.pdf}
|
||||||
|
\includepdf[pages=-]{build/pdf/Lou Reed/Perfect Day Capo I.pdf}
|
||||||
|
\includepdf[pages=-]{\detokenize{build/pdf/Rupert Holmes/Escape (The Piña Colada Song).pdf}}
|
||||||
|
\includepdf[pages=-]{build/pdf/Pink Floyd/Brain Damage Eclipse.pdf}
|
||||||
|
\end{document}
|
||||||
56
songs/Chuck Berry/Maybellene Body.tex
Normal file
56
songs/Chuck Berry/Maybellene Body.tex
Normal file
@ -0,0 +1,56 @@
|
|||||||
|
\begin{intro}
|
||||||
|
\begin{tabular}[t]{@{}lll}
|
||||||
|
|_{A#} & |_{A#} & | \\
|
||||||
|
\end{tabular}
|
||||||
|
\end{intro}
|
||||||
|
|
||||||
|
\begin{chorus}
|
||||||
|
May^{A#}bellene, why can't you be ^{A#}true? \\
|
||||||
|
Oh, Maybel^{D#7}lene, why can't you be ^{A#}true \\
|
||||||
|
You done ^{F7}started ba^{-}ck doin' the ^{D#7}things you used to ^{A#}do \\
|
||||||
|
\end{chorus}
|
||||||
|
|
||||||
|
\begin{verse}
|
||||||
|
As ^{A#}I was motorvatin' over the hill, I ^{A#}saw Maybellene in a Coupe DeVille \\
|
||||||
|
A ^{A#}Cadillac a-rollin' on the open road, ^{A#}nothin' willl outrun my V8 Ford \\
|
||||||
|
^{A#}Cadillac doin' 'bout ninety-five, she's ^{A#}bumper-to-bumper rollin' side by side
|
||||||
|
\end{verse}
|
||||||
|
|
||||||
|
\begin{chorus}
|
||||||
|
\instruction{Repeat Chorus}
|
||||||
|
\end{chorus}
|
||||||
|
|
||||||
|
\begin{verse}
|
||||||
|
A ^{A#}Cadillac pulled up to one hundred and four, the ^{A#}Ford got hot and wouldn't do no more \\
|
||||||
|
^{A#}It done got a cloud and started to rain, I ^{A#}tooted my horn for the passin' lane \\
|
||||||
|
The ^{A#}rain water blowin' all under my hood, I ^{A#}knew that was doin' my motor good
|
||||||
|
\end{verse}
|
||||||
|
|
||||||
|
\begin{chorus}
|
||||||
|
\instruction{Repeat Chorus}
|
||||||
|
\end{chorus}
|
||||||
|
|
||||||
|
\begin{solo}
|
||||||
|
\begin{tabular}[t]{@{}lll}
|
||||||
|
|_{A#} & |_{A#} & | \\
|
||||||
|
|_{D#7} & |_{A#} & | \\
|
||||||
|
|_{F7} - _{D#7} & |_{A#} & | \instruction{Repeat 2x or more??}
|
||||||
|
\end{tabular}
|
||||||
|
\end{solo}
|
||||||
|
|
||||||
|
\begin{chorus}
|
||||||
|
\instruction{Repeat Chorus}
|
||||||
|
\end{chorus}
|
||||||
|
|
||||||
|
\begin{verse}
|
||||||
|
The ^{A#}motor cooled down, the heat went down, and ^{A#}that's when I heard that highway sound \\
|
||||||
|
The ^{A#}Cadillac a-sittin' like a ton of lead, a ^{A#}hundred and ten a half a mile ahead \\
The ^{A#}Cadillac lookin' like it's sittin' still, and I ^{A#}caught Maybellene at the top of the hill
|
||||||
|
\end{verse}
|
||||||
|
|
||||||
|
\begin{chorus}
|
||||||
|
\instruction{Repeat Chorus}
|
||||||
|
\end{chorus}
|
||||||
|
|
||||||
|
\begin{outro}
|
||||||
|
You done ^{F7}started ba^{-}ck doin' the ^{D#7}things you used to ^{A#}do ^{F7*} ^{A#*}
|
||||||
|
\end{outro}
|
||||||
8
songs/Chuck Berry/Maybellene Capo I.tex
Normal file
8
songs/Chuck Berry/Maybellene Capo I.tex
Normal file
@ -0,0 +1,8 @@
|
|||||||
|
\documentclass{skrul-leadsheet}
|
||||||
|
\begin{document}
|
||||||
|
\begin{song}[transpose-capo=true]{title={Maybellene}, band={Chuck Berry}, year={1955}, key={Bb}, capo={1}}
|
||||||
|
|
||||||
|
\input{"Maybellene Body.tex"}
|
||||||
|
|
||||||
|
\end{song}
|
||||||
|
\end{document}
|
||||||
@ -1,59 +1,8 @@
|
|||||||
\documentclass{skrul-leadsheet}
|
\documentclass{skrul-leadsheet}
|
||||||
\begin{document}
|
\begin{document}
|
||||||
\begin{song}[transpose-capo=true]{title={Maybellene}, band={Chuck Berry}, year={1955}, key={A}}
|
\begin{song}[transpose-capo=true]{title={Maybellene}, band={Chuck Berry}, year={1955}, key={Bb}}
|
||||||
|
|
||||||
\begin{intro}
|
\input{"Maybellene Body.tex"}
|
||||||
\begin{tabular}[t]{@{}lllll}
|
|
||||||
|_{A} & |_{A} & |_{A} & |_{A} & | \\
|
|
||||||
\end{tabular}
|
|
||||||
\end{intro}
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
^{A}Maybellene, why can't you be ^{A}true \\
|
|
||||||
Oh, Maybel^{D7}lene, why can't you be ^{A}true \\
|
|
||||||
You've ^{E7}started back doin' the ^{D7}things you used to ^{A}do \\
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\begin{verse}
|
|
||||||
^{A}As I was motivatin' over the hill, I saw Maybellene in a Coupe de Ville \\
|
|
||||||
^{A}Cadillac rollin' on the open road, nothin' outruns my V-8 Ford \\
|
|
||||||
^{A}Cadillac doin' 'bout 95, bumper-to-bumper, rollin' side by side
|
|
||||||
\end{verse}
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
\instruction{Repeat Chorus}
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\begin{verse}
|
|
||||||
^{A}Cadillac rolled up ahead of the Ford, the Ford got hot, wouldn't do no more \\
|
|
||||||
^{A}It soon got cloudy and it started to rain, I tooted my horn for the passing lane \\
|
|
||||||
^{A}Rain was pourin' under my hood, I knew that was doin' my motor good
|
|
||||||
\end{verse}
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
\instruction{Repeat Chorus}
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\begin{solo}
|
|
||||||
\begin{tabular}[t]{@{}lllll}
|
|
||||||
|_{A} & |_{A} & |_{D7} & |_{A} & | \\
|
|
||||||
|_{E7} & |_{D7} & |_{A} & |_{A} & | \\
|
|
||||||
\end{tabular}
|
|
||||||
\end{solo}
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
\instruction{Repeat Chorus}
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\begin{verse}
|
|
||||||
^{A}Motor cooled down, the heat went down, that's when I heard that highway sound \\
|
|
||||||
^{A}The Cadillac sittin' like a ton of lead, 110 half a mile ahead \\
|
|
||||||
^{A}The Cadillac looked like it was sittin' still, I caught Maybellene at the top of the hill
|
|
||||||
\end{verse}
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
\instruction{Repeat Chorus}
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\end{song}
|
\end{song}
|
||||||
\end{document}
|
\end{document}
|
||||||
56
songs/Lou Reed/Perfect Day Body.tex
Normal file
56
songs/Lou Reed/Perfect Day Body.tex
Normal file
@ -0,0 +1,56 @@
|
|||||||
|
\begin{intro}
|
||||||
|
\begin{tabular}[t]{@{}lllll}
|
||||||
|
|_{F} & |_{A#m} & |_{F} & |_{A#m} & | \\
|
||||||
|
\end{tabular}
|
||||||
|
\end{intro}
|
||||||
|
|
||||||
|
\begin{verse}
|
||||||
|
^{A#m} Just a ^{D#}perfect day, ^{G#} drink Sangria ^{C#}in the park \\
|
||||||
|
^{F#} And then later, ^{D#m} when it gets dark we go ^{F}home ^{F} \\
|
||||||
|
^{A#m} Just a ^{D#}perfect day, ^{G#} feed animals ^{C#}in the zoo \\
|
||||||
|
^{F#} Then later, ^{D#m} a movie, too, and then ^{F}home ^{F}
|
||||||
|
\end{verse}
|
||||||
|
|
||||||
|
\begin{chorus}
|
||||||
|
Oh ^{A#}it's such a ^{D#}perfect day \\
|
||||||
|
I'm ^{Dm}glad I spent it with ^*{D#}yo ^{-}u ^{D#*} ^{Dm*} ^{Cm*} \\
|
||||||
|
^{A#} Oh such a ^{F}perfect day \\
|
||||||
|
You just ^{Gm}keep ^{-}me ^{F}hanging ^{D#}on \\
|
||||||
|
You just ^{Gm}keep ^{-}me ^{F}hanging ^{D#}on
|
||||||
|
\end{chorus}
|
||||||
|
|
||||||
|
\begin{interlude}
|
||||||
|
_{D#}
|
||||||
|
\end{interlude}
|
||||||
|
|
||||||
|
\begin{verse}
|
||||||
|
^{A#m} Just a ^{D#}perfect day, ^{G#} problems all ^{C#}left alone, \\
|
||||||
|
^{F#} Weekenders ^{D#m}on our own, it's such ^{F}fun. ^{F} \\
|
||||||
|
^{A#m} Just a ^{D#}perfect day, ^{G#} you made me for^{C#}get myself \\
|
||||||
|
^{F#} I thought I was ^{D#m}someone else, some^{F}one good ^{F}
|
||||||
|
\end{verse}
|
||||||
|
|
||||||
|
\begin{chorus}
|
||||||
|
\instruction{Repeat Chorus}
|
||||||
|
\end{chorus}
|
||||||
|
|
||||||
|
\begin{solo}
|
||||||
|
\begin{tabular}[t]{@{}lll}
|
||||||
|
|_{Gm} - _{F} & |_{D#} & | \\
|
||||||
|
|_{Gm} - _{F} & |_{D#} & | \\
|
||||||
|
|_{Gm} - _{F} & |_{D#} & |
|
||||||
|
\end{tabular}
|
||||||
|
\end{solo}
|
||||||
|
|
||||||
|
\begin{outro}
|
||||||
|
^{Dm} ^{-} ^{Dm}You're going to ^{G#}reap just what ^{D#} you^{-} sow ^{D#*} ^{Dm*} ^{Cm*} ^{A#} \\
|
||||||
|
^{Dm} ^{-} ^{Dm}You're going to ^{G#}reap just what ^{D#} you^{-} sow ^{D#*} ^{Dm*} ^{Cm*} ^{A#} \\
|
||||||
|
^{Dm} ^{-} ^{Dm}You're going to ^{G#}reap just what ^{D#} you^{-} sow ^{D#*} ^{Dm*} ^{Cm*} ^{A#} \\
|
||||||
|
^{Dm} ^{-} ^{Dm}You're going to ^{G#}reap just what ^{D#} you^{-} sow ^{D#*} ^{Dm*} ^{Cm*} ^{A#} \\
|
||||||
|
|
||||||
|
\begin{tabular}[t]{@{}lllll}
|
||||||
|
|_{Dm} & |_{G#} & |_{D#} - _{D#*} _{Dm*} _{Cm*} & |_{A#} & | \\
|
||||||
|
|_{Dm} & |_{G#} & |_{D#} - _{D#*} _{Dm*} _{Cm*} & |_{A#*} & |
|
||||||
|
\end{tabular}
|
||||||
|
|
||||||
|
\end{outro}
|
||||||
8
songs/Lou Reed/Perfect Day Capo I.tex
Normal file
8
songs/Lou Reed/Perfect Day Capo I.tex
Normal file
@ -0,0 +1,8 @@
|
|||||||
|
\documentclass{skrul-leadsheet}
|
||||||
|
\begin{document}
|
||||||
|
\begin{song}[transpose-capo=true]{title={Perfect Day}, band={Lou Reed}, year={1972}, key={Bbm}, capo={1}, meter={12/8}}
|
||||||
|
|
||||||
|
\input{"Perfect Day Body.tex"}
|
||||||
|
|
||||||
|
\end{song}
|
||||||
|
\end{document}
|
||||||
@ -1,55 +1,8 @@
|
|||||||
\documentclass{skrul-leadsheet}
|
\documentclass{skrul-leadsheet}
|
||||||
\begin{document}
|
\begin{document}
|
||||||
\begin{song}[transpose-capo=true]{title={Perfect Day}, band={Lou Reed}, year={1972}, key={}, capo={1}}
|
\begin{song}[transpose-capo=true]{title={Perfect Day}, band={Lou Reed}, year={1972}, key={Bbm}, meter={12/8}}
|
||||||
|
|
||||||
\begin{intro}
|
\input{"Perfect Day Body.tex"}
|
||||||
\begin{tabular}[t]{@{}lllll}
|
|
||||||
|_{F} & |_{A#m} & |_{F} & |_{A#m} & | \\
|
|
||||||
\end{tabular}
|
|
||||||
\end{intro}
|
|
||||||
|
|
||||||
\begin{verse}
|
|
||||||
^{A#m}Just a p^{D#}erfect day, ^{G#}drink Sangria ^{C#}in the park \\
|
|
||||||
^{F#}And then later, w^{D#m}hen it gets dark, We go ^{F}home. \\
|
|
||||||
^{A#m}Just a p^{D#}erfect day, ^{G#}feed animals ^{C#}in the zoo \\
|
|
||||||
^{F#}Then later, ^{D#m}a movie, too, and then ^{F}home.
|
|
||||||
\end{verse}
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
Oh ^{A#}it's such a p^{D#}erfect day, \\
|
|
||||||
I'm ^{Dm}glad I spent it with^{D#} you. ^{D#/D} ^{D#/C} \\
|
|
||||||
^{A#}Oh such a p^{F}erfect day, \\
|
|
||||||
You just ^{Gm}keep me^{F} hanging^{D#} on, \\
|
|
||||||
You just ^{Gm}keep me^{F} hanging^{D#} on.
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\begin{verse}
|
|
||||||
^{A#m}Just a p^{D#}erfect day, ^{G#}problems all l^{C#}eft alone, \\
|
|
||||||
^{F#}Weekenders ^{D#m}on our own, it's such ^{F}fun. \\
|
|
||||||
^{A#m}Just a p^{D#}erfect day, ^{G#}you made me forg^{C#}et myself. \\
|
|
||||||
^{F#}I thought I was s^{D#m}omeone else, someone ^{F}good.
|
|
||||||
\end{verse}
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
\instruction{Repeat Chorus}
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\begin{solo}
|
|
||||||
\begin{tabular}[t]{@{}lllll}
|
|
||||||
|_{Gm} & |_{F} & |_{D#} & |_{D#} & | \\
|
|
||||||
\end{tabular}
|
|
||||||
\end{solo}
|
|
||||||
|
|
||||||
\begin{outro}
|
|
||||||
^{Dm} You're going to^{G#} reap just what you ^{D#}sow, ^{D#/D} ^{D#/C} ^{A#} \\
|
|
||||||
^{Dm} You're going to^{G#} reap just what you ^{D#}sow, ^{D#/D} ^{D#/C} ^{A#} \\
|
|
||||||
^{Dm} You're going to^{G#} reap just what you ^{D#}sow, ^{D#/D} ^{D#/C} ^{A#} \\
|
|
||||||
^{Dm} You're going to^{G#} reap just what you ^{D#}sow, ^{D#/D} ^{D#/C} ^{A#} \\
|
|
||||||
Dm G# D# D#/D D#/C A#
|
|
||||||
(rall.)
|
|
||||||
Dm G# D# D#/D D#/C A#
|
|
||||||
|
|
||||||
\end{outro}
|
|
||||||
|
|
||||||
\end{song}
|
\end{song}
|
||||||
\end{document}
|
\end{document}
|
||||||
@ -1,73 +1,69 @@
|
|||||||
\documentclass{skrul-leadsheet}
|
\documentclass{skrul-leadsheet}
|
||||||
\begin{document}
|
\begin{document}
|
||||||
\begin{song}[transpose-capo=true]{title={Brain Damage / Eclipse}, band={Pink Floyd}, year={1973}, key={}}
|
\begin{song}[transpose-capo=true]{title={Brain Damage / Eclipse}, band={Pink Floyd}, year={1973}, key={D}}
|
||||||
|
|
||||||
|
|
||||||
\begin{solo}
|
\begin{solo}
|
||||||
\begin{tabular}[t]{@{}lllll}
|
\begin{tabular}[t]{@{}lllll}
|
||||||
|_{D} & |_{D} & |_{D} & |_{D} & | \\
|
|_{D} & |_{D} & |_{D} & |_{D} & |
|
||||||
\end{tabular}
|
\end{tabular}
|
||||||
\end{solo}
|
\end{solo}
|
||||||
|
|
||||||
|
|
||||||
\begin{verse}
|
\begin{verse}
|
||||||
^{D} The lunatic is on the ^{G7/D}grass. \\
|
^{D} The lunatic is on the ^{G7/D}grass, ^{D} the lunatic is on the ^{G7/D}grass \\
|
||||||
^{D} The lunatic is on the ^{G7/D}grass. \\
|
^{D} Remembering games and ^{E/D}daisy chains and laughs \\
|
||||||
^{D} Remembering games and ^{E/D}daisy chains and laughs. \\
|
^{A}Got to ke^{-}ep the ^{A7}loonies on the ^*{D}pat ^{-}h ^{Dsus2}
|
||||||
^{A7}Got to keep the ^{A7}loonies on the ^{D}path. ^{Dsus2} \\
|
|
||||||
|
|
||||||
^{D} The lunatic is in the hal^{G7/D}l. \\
|
^{D} The lunatic is in the ^{G7/D}hall, ^{D} the lunatics are in my ^{G7/D}hall \\
|
||||||
^{D} The lunatics are in my ^{G7/D}hall. \\
|
|
||||||
^{D} The paper holds their folded ^{E/D}faces to the floor \\
|
^{D} The paper holds their folded ^{E/D}faces to the floor \\
|
||||||
And ^{A}every day the ^{A7}paper boy brings ^{D}more. ^{Dsus2} ^{D7} ^{D9} \\
|
And ^{A}every ^{-}day the ^{A7}paper boy brings ^*{D}mo ^{-}re ^{Dsus2} ^{D7} ^{-} ^{D9}
|
||||||
\end{verse}
|
\end{verse}
|
||||||
|
|
||||||
\begin{chorus}
|
\begin{chorus}
|
||||||
^{G} And if the dam breaks open ^{A}many years too soon \\
|
^{G} And if the dam breaks open ^{A}many years too soon \\
|
||||||
And ^{C}if there is no room upon the ^{G}hill \\
|
And ^{C}if there is no room upon the ^{G}hill \\
|
||||||
^{G} And if your head explodes with ^{A7}dark forebodings too \\
|
^{G} And if your head explodes with ^{A7}dark forebodings too \\
|
||||||
I'll ^{C}see you on the dark side of the ^{G}moon. ^{Bm7} ^{Em7} ^{A} ^{A7} \\
|
I'll ^{C}see you on the dark side of the ^*{G}mo ^{-}on ^{Bm7}(Oh ^{Em7}oh ^{-} ^{A7}oh)
|
||||||
\end{chorus}
|
\end{chorus}
|
||||||
|
|
||||||
\begin{verse}
|
\begin{verse}
|
||||||
^{D} The lunatic is in my ^{G7/D}head. (laughter) \\
|
^{D} The lunatic is in my ^{G7/D}head, (laughter) ^{D} the lunatic is in my ^{G7/D}head \\
|
||||||
^{D} The lunatic is in my ^{G7/D}head \\
|
|
||||||
^{D} You raise the blade, ^{E/D} you make the change \\
|
^{D} You raise the blade, ^{E/D} you make the change \\
|
||||||
^{A7} You re-arrange me 'till I'm sane^{D}. ^{Dsus2} \\
|
^{A}You ^*{-}re-a ^{A7}rrange me 'till I'm ^*{D}san ^{-}e ^{Dsus2} \\
|
||||||
|
|
||||||
^{D} You lock the door \\
|
^{D} You lock the door, and ^{E/D}throw away the key \\
|
||||||
And ^{E/D}throw away the key \\
|
There's ^*{A}someon ^{-}e in my ^{A7}head but it's not ^*{D}m e^{-} ^{Dsus2} ^{D7} ^{-} ^{D9}
|
||||||
There's ^{A7}someone in my head but it's not ^{D}me. ^{Dsus2} ^{D7} ^{D9} \\
|
|
||||||
\end{verse}
|
\end{verse}
|
||||||
|
|
||||||
\begin{chorus}
|
\begin{chorus}
|
||||||
^{G} And if the cloud bursts, ^{A}thunder in your ear \\
|
^{G} And if the cloud bursts, ^{A}thunder in your ear \\
|
||||||
^{C} You shout and no one seems to hear^{G}. \\
|
^{C} You shout and no one seems to ^{G}hear \\
|
||||||
And if the band you're in starts ^{A}playing diff^{A7}erent tune^{A}s \\
|
^{G} And if the band you're in starts ^{A7}playing different tunes \\
|
||||||
I'll ^{C}see you on the dark side of the moon^{G}. ^{Bm7} ^{Em} ^{A7} \\
|
I'll ^{C}see you on the dark side of the ^*{G}mo ^{-}on ^{Bm7}(Oh ^{Em7}oh ^{-} ^{A7}oh)
|
||||||
\end{chorus}
|
\end{chorus}
|
||||||
|
|
||||||
|
\begin{interlude}
|
||||||
|
\begin{tabular}[t]{@{}lllll}
|
||||||
|
|_{D} & |_{G7} & |_{D} & |_{G7} & | \\
|
||||||
|
|_{D} & |_{E} & |_{A} - _{A7} & |_{D} - _{Dsus2} & | \\
|
||||||
|
|_{D} & |_{E} & |_{A} - _{A7} & |_{D} & | \\
|
||||||
|
\end{tabular}
|
||||||
|
|
||||||
[Outro]
|
\instruction{Transition to Eclipse and to 3/4 time!}
|
||||||
D |G7 |D |G7 |D |E |
|
|
||||||
A A7 |D Dsus2 |D |E |A A7 |D Dsus2 |
|
|
||||||
|
|
||||||
|
\begin{tabular}[t]{@{}lllll}
|
||||||
[Intro]
|
|_{D} & |_{D7} & |_{Bb} & |_{A7} & | \\
|
||||||
|D D7 |Bb A A7|
|
\end{tabular}
|
||||||
|
\end{interlude}
|
||||||
|
|
||||||
\begin{outro}
|
\begin{outro}
|
||||||
^{D}All that you touch, and ^{D7}all that you see, ^{Bb}all that you taste,^{A7} all you feel. \\
|
^{D}All that you touch, and ^{D7}all that you see, ^{Bb}all that you taste, ^{A7} all you feel \\
|
||||||
And ^{D}all that you love, and ^{D7}all that you hate, ^{Bb}all you distrust,^{A7} all you save. \\
|
And ^{D}all that you love, and ^{D7}all that you hate, ^{Bb}all you distrust, ^{A7} all you save \\
|
||||||
And ^{D}all that you give, and ^{D7}all that you deal, and ^{Bb}all that you buy, \\
|
And ^{D}all that you give, and ^{D7}all that you deal, and ^{Bb}all that you buy,
|
||||||
beg, ^{A7}borrow or steal. \\
|
beg, ^{A7}borrow or steal \\
|
||||||
And ^{D}all you create, and ^{D7}all you destroy, and ^{Bb}all that you do, \\
|
And ^{D}all you create, and ^{D7}all you destroy, and ^{Bb}all that you do, and ^{A7}all that you say \\
|
||||||
and ^{A7}all that you say. \\
|
And ^{D}all that you eat, and ^{D7}everyone you meet, and ^{Bb}all that you slight, and ^{A7}everyone you fight \\
|
||||||
And ^{D}all that you eat, and ^{D7}everyone you meet, and ^{Bb}all that you slight, \\
|
And ^{D}all that is now, and ^{D7}all that is gone, and ^{Bb}all that's to come, and ^{A7}everything under the \\
|
||||||
and ^{A7}everyone you fight. \\
|
^{D}Sun is in tune, but the ^{D7}sun is eclipsed by the ^*{Bb}mooo- ^{D*}ooonn
|
||||||
And ^{D}all that is now, and ^{D7}all that is gone, and ^{Bb}all that's to come, \\
|
|
||||||
and ^{A7}everything under the ^{D}sun is in tune, \\
|
|
||||||
But the ^{D7}sun is eclipsed by the ^{Bb}moo- ^{D}n.
|
|
||||||
\end{outro}
|
\end{outro}
|
||||||
|
|
||||||
\end{song}
|
\end{song}
|
||||||
|
|||||||
@ -1,75 +1,120 @@
|
|||||||
\documentclass{skrul-leadsheet}
|
\documentclass{skrul-leadsheet}
|
||||||
\begin{document}
|
\begin{document}
|
||||||
\begin{song}[transpose-capo=true]{title={Escape (The Piña Colada Song)}, band={Rupert Holmes}, year={1979}, key={}}
|
\begin{song}[transpose-capo=true]{title={Escape (The Piña Colada Song)}, band={Rupert Holmes}, year={1979}, key={C}}
|
||||||
|
|
||||||
|
\newcommand{\taga}{ ^{Am} ^{-} ^{G} ^{-} ^{F} }
|
||||||
|
\newcommand{\tagb}{ ^{Em} ^{-} ^{Dm} ^{-} ^{C} }
|
||||||
|
|
||||||
F | Am G F | Dm7 | C | G Dm7 C | Gm7
|
\begin{intro}
|
||||||
F | Am G F | Dm7 | C | Em F C |
|
\begin{tabular}[t]{@{}lllllll}
|
||||||
|
|_{F*} & |_{Am} - _{G} - _{F} & |_{Dm/G} & |_{C*} & | _{Em} - _{Dm} - _{C} & | _{Gm/E} & | \\
|
||||||
|
|_{F*} & |_{Am} - _{G} - _{F} & |_{Dm/G} & |_{C*} & | _{Em} - _{Dm} - _{C*} & | \\
|
||||||
|
\end{tabular}
|
||||||
|
\end{intro}
|
||||||
|
|
||||||
\begin{verse}
|
\begin{verse}
|
||||||
I was tired of my ^{F}lady, ^{Am} ^{G} ^{F}
|
\begin{tabbing}
|
||||||
we'd been to^{Gm7}gether too l^{C}ong. ^{E} ^{D} ^{C} \\
|
\hspace{40pt} I was \= ^{Gm/E}tired of my \= ^{F*}lady, \taga \=
|
||||||
Like a worn ^{Dm7}out recor^{F}ding, ^{Am} ^{G} ^{F}
|
we'd been to \hspace{5pt} \=^{Dm/G}gether too \= ^{C*}long. \tagb \\
|
||||||
of a ^{Gm7}favorite s^{C}ong. ^{E} ^{D} ^{C} \\
|
Like a worn \> out recor - \> ding, \>
|
||||||
|
of a \> favorite \> song \\
|
||||||
So while she ^{Dm7}lay there s^{F}leepin', ^{Am} ^{G} ^{F}
|
So while she \> lay there \> sleepin', \>
|
||||||
I read the ^{Gm7}paper in be^{C}d ^{E} ^{D} ^{C} \\
|
I read the \> paper in \> bed \\
|
||||||
And in the ^{Dm7}personal co^{F}lumns, ^{Am} ^{G} ^{F}
|
And in the \> personal \> columns, \>
|
||||||
there was this ^{Gm7}letter I re^{C}ad ^{E} ^{D} ^{C} \\
|
there was this \> letter I \> read
|
||||||
|
\end{tabbing}
|
||||||
\end{verse}
|
\end{verse}
|
||||||
|
|
||||||
\begin{chorus}
|
\begin{chorus}
|
||||||
If you like piña ^{F}coladas, ^{Am} ^{G} ^{F}
|
\begin{tabbing}
|
||||||
and gettin' caug^{Gm7}ht in the r^{C}ain ^{E} ^{D} ^{C} \\
|
1. If you like piña \=^{F*}coladas, \taga \hspace{15pt} \=
|
||||||
If you're ^{Dm7}not into y^{F}oga , ^{Am} ^{G} ^{F}
|
and gettin' \=^{Dm/G}caught in the \=^{C*}rain \tagb \\
|
||||||
if you ^{Gm7}have half a b^{C}rain ^{E} ^{D} ^{C} \\
|
2. Yes, I like piña \> coladas, \> and gettin' \> caught in the \> rain \\
|
||||||
|
3. That I like piña \> coladas, \> and gettin' \> caught in the \> rain
|
||||||
|
\end{tabbing}
|
||||||
|
|
||||||
If you like ^{Dm7}makin' love at m^{F}idnight, ^{Am} ^{G} ^{F}
|
\begin{tabbing}
|
||||||
in the ^{Gm7}dunes of a^{C} cape ^{E} ^{D} ^{C} \\
|
1. If you're \=^{Gm/E}not into \hspace{2pt} \=^{F*}yoga, \hspace{20pt} \taga \=
|
||||||
Then I'm the ^{Dm7}love that you've l^{F}ooked for, ^{Am} ^{G} ^{F}
|
if you \hspace{10pt} \=^{Dm/G}have half a \hspace{12pt} \=^{C*}brain \tagb \\
|
||||||
wri^{Gm7}te to me and e^{C}scape ^{E} ^{F} ^{C} \\
|
2. I'm not \> much into \> health food, \> I am \> into cham - \> pagne \\
|
||||||
|
3. And the \> feel of the \> ocean, \> and the \> taste of cham - \> pagne
|
||||||
|
\end{tabbing}
|
||||||
|
|
||||||
|
\begin{tabbing}
|
||||||
|
1. If you like \hspace{1pt} \=^{Gm/E}makin' love at \=^{F*}midnight, \hspace{10pt} \taga \=
|
||||||
|
in the \hspace{47pt} \=^{Dm/G}dunes on the \=^{C*}cape \tagb \\
|
||||||
|
2. I've got to \> meet you by to \> morrow noon \> and cut through \> all this red \> tape \\
|
||||||
|
3. If you like \> makin' love at \> midnight, \> in the \> dunes on the \> cape
|
||||||
|
\end{tabbing}
|
||||||
|
|
||||||
|
\begin{tabbing}
|
||||||
|
1. Then I'm the \=^{Gm/E}love that you've \=^{F*}looked for, \taga \=
|
||||||
|
write to \hspace{14pt} \=^{Dm/G}me and es - \=^{C*}cape \tagb \\
|
||||||
|
2. At a \> bar called \> O'Malley's \> where we'll \> plan our es -\> cape \\
|
||||||
|
3. You're the \> lady I've \> looked for, \> come with \> me and es - \> cape
|
||||||
|
\end{tabbing}
|
||||||
\end{chorus}
|
\end{chorus}
|
||||||
|
|
||||||
F | Am G F | Dm7 | C | G Dm7 C | Gm7
|
\begin{solo}
|
||||||
F | Am G F | Dm7 | C | Em F C |
|
\begin{tabular}[t]{@{}lllllll}
|
||||||
|
|_{F*} & |_{Am} - _{G} - _{F} & |_{Dm/G} & |_{C*} & | _{Em} - _{Dm} - _{C} & | _{Gm/E} & | \\
|
||||||
|
|_{F*} & |_{Am} - _{G} - _{F} & |_{Dm/G} & |_{C*} & | _{Em} - _{Dm} - _{C*} & | \\
|
||||||
|
\end{tabular}
|
||||||
|
\end{solo}
|
||||||
|
|
||||||
\begin{verse}
|
\begin{verse}
|
||||||
I didn't think about my^{F} lady,^{Am} ^{G} ^{F}
|
\begin{tabbing}
|
||||||
I know that so^{Gm7}unds kind of me^{C}an ^{E} ^{D} ^{C} \\
|
\hspace{12pt} I didn't think \=^{Gm/E}about my \hspace{10pt} \=^{F*}lady, \taga \=
|
||||||
But me and^{Dm7} my old l^{F}ady, ^{Am} ^{G} ^{F}
|
I know that \=^{Dm/G}sounds kind of \=^{C*}mean \tagb \\
|
||||||
had fallen i^{Gm7}nto the sam^{C}e old dull r^*{E}outi ^{D}ne ^{C} \\
|
But me and \> my old \> lady, \>
|
||||||
So I w^{Dm7}rote to the p^{F}aper, ^{Am} ^{G} ^{F}
|
had fallen \> into the \> same old dull routine \\
|
||||||
took out a ^{Gm7}personal a^{C}d ^{E} ^{D} ^{C} \\
|
So I \> wrote to the \> paper, \>
|
||||||
And though I^{Dm7}'m nobody's p^{F}oet, ^{Am} ^{G} ^{F}
|
took out a \> personal \> ad \\
|
||||||
I thought it ^{Gm7}wasn't half ^{C}bad. ^{E} ^{D} ^{C} \\
|
And though I'm \> nobody's \> poet, \>
|
||||||
|
I thought it \> wasn't half \> bad
|
||||||
|
\end{tabbing}
|
||||||
\end{verse}
|
\end{verse}
|
||||||
|
|
||||||
\begin{chorus}
|
\begin{chorus}
|
||||||
Yes, I like piña ^{F}coladas, ^{Am} ^{G} ^{F}
|
\instruction{Chorus 2}
|
||||||
and getting ca^{Gm7}ught in the r^{C}ain ^{E} ^{D} ^{C} \\
|
|
||||||
I'm not m^{Dm7}uch into h^{F}ealth food, ^{Am} ^{G} ^{F}
|
|
||||||
I am^{Gm7} into champ^{C}agne ^{E} ^{D} ^{C} \\
|
|
||||||
|
|
||||||
I've got to ^{Dm7}meet you by t^{F}omorrow n^{Am}oon ^{G} ^{F}
|
|
||||||
and cut throug^{Gm7}h all this r^{C}ed tape^{E} ^{D} ^{C} \\
|
|
||||||
At a ^{Dm7}bar called O^{F}'Malley's ^{Am} ^{G} ^{F}
|
|
||||||
where we'll ^{Gm7}plan our e^{C}scape. ^{E} ^{D} ^{C} \\
|
|
||||||
|
|
||||||
\end{chorus}
|
\end{chorus}
|
||||||
|
|
||||||
F | Am G F | Dm7 | C | G Dm7 C | Gm7
|
\begin{solo}
|
||||||
F | Am G F | Dm7 | C | Em F C |
|
\instruction{Repeat Solo}
|
||||||
|
\end{solo}
|
||||||
|
|
||||||
\begin{verse}
|
\begin{verse}
|
||||||
So I waited with ^{F}high hopes^{Am} ^{G} ^{F}
|
\begin{tabbing}
|
||||||
and she wa^{Gm7}lked in the p^{C}lace ^{E} ^{D} ^{C} \\
|
\hspace{30pt} So I \=^{Gm/E}waited with \hspace{6pt} \=^{F*}high hopes \taga \=
|
||||||
I knew her s^{Dm7}mile in an i^{F}nstant, ^{Am} ^{G} ^{F}
|
and she \hspace{23pt} \=^{Dm/G}walked in the \=^{C*}place \tagb \\
|
||||||
I knew the ^{Gm7}curve of her ^{C}face ^{E} ^{D} ^{C} \\
|
I knew her \> smile in an \> instant, \>
|
||||||
|
I knew the \> curve of her \> face \\
|
||||||
It was my ^{Dm7}own lovely l^{F}ady ^{Am} ^{G} ^{F}
|
It was my \> own lovely \> lady \>
|
||||||
and she s^{Gm7}aid, ^{C} ^{E} ^{D} ^{C} \\
|
and she said, \> ah it's \> you \\
|
||||||
|
Then we \> laughed for a \> moment \>
|
||||||
|
and I said, \> \> "I never knew"
|
||||||
|
\end{tabbing}
|
||||||
\end{verse}
|
\end{verse}
|
||||||
|
|
||||||
|
\begin{chorus}
|
||||||
|
\instruction{Chorus 3}
|
||||||
|
\end{chorus}
|
||||||
|
|
||||||
|
\begin{chorus}
|
||||||
|
\instruction{Repeat Chorus 1}
|
||||||
|
\end{chorus}
|
||||||
|
|
||||||
|
\begin{chorus}
|
||||||
|
\instruction{Repeat Chorus 2}
|
||||||
|
\end{chorus}
|
||||||
|
|
||||||
|
\begin{outro}
|
||||||
|
\begin{tabular}[t]{@{}lllllll}
|
||||||
|
|_{F*} & |_{Am} - _{G} - _{F} & |_{Dm/G} & |_{C*} & | _{Em} - _{Dm} - _{C} & | _{Gm/E} & | \\
|
||||||
|
|_{F*} & |_{Am} - _{G} - _{F} & |_{Dm/G*} & |_{F*} & | _{C7*} & | \\
|
||||||
|
\end{tabular}
|
||||||
|
\end{outro}
|
||||||
|
|
||||||
|
\instruction{Note: skip the first chord on each verse}
|
||||||
\end{song}
|
\end{song}
|
||||||
\end{document}
|
\end{document}
|
||||||
@ -67,7 +67,9 @@
|
|||||||
C##7*=D7*,
|
C##7*=D7*,
|
||||||
C##/F#=D/F#,
|
C##/F#=D/F#,
|
||||||
C##/C#=D/C#,
|
C##/C#=D/C#,
|
||||||
|
C##/C#*=D/C#*,
|
||||||
C##/B=D/B,
|
C##/B=D/B,
|
||||||
|
C##/B*=D/B*,
|
||||||
Db#=D,
|
Db#=D,
|
||||||
D##m=Em,
|
D##m=Em,
|
||||||
D/Gb=D/F#,
|
D/Gb=D/F#,
|
||||||
@ -81,6 +83,7 @@
|
|||||||
F##/A##*=G/B*,
|
F##/A##*=G/B*,
|
||||||
F##/B=G/B,
|
F##/B=G/B,
|
||||||
G##=A,
|
G##=A,
|
||||||
|
G##*=A*,
|
||||||
G##m=Am,
|
G##m=Am,
|
||||||
G##maj7=A\textsuperscript{maj7},
|
G##maj7=A\textsuperscript{maj7},
|
||||||
G##sus4=A\textsuperscript{sus4},
|
G##sus4=A\textsuperscript{sus4},
|
||||||
|
|||||||
Loading…
Reference in New Issue
Block a user